Posts Tagged With: Relics

“An Interesting Flag”

The following article was written by The Rambler and appeared in February 9th, 1913 edition of the Evening Star.  The Rambler, whose real name was John Harry Shannon, wrote for the Star from 1912 until 1927, telling stories about his travels in and around Washington.  Many of his “rambles” involved trips into Maryland’s “assassination country” as I like to call it.  This article however, deals with his knowledge of one particular artifact relating to Lincoln’s assassination: the Treasury Guard flag.

Treasury Guard flag on display at the Ford's Theatre Museum

Treasury Guard flag on display at the Ford’s Theatre Museum

“An Interesting Flag

The flag which led indirectly but none the less certainly to the capture of John Wilkes Booth is now one of the main objects of interest in the Treasury building. For many years this famous flag occupied a place on the wall of the northeast corridor of the Treasury and divided honors with the money vaults as an object of popular interest. It was for many years about the first thing guides pointed out to visitors. Then the flag was loaned to Capt. O H. Oldroyd and for a long time had a prominent place in the museum of Lincoln relies. Not long ago it was reclaimed by the Treasury and hangs once more in that grim and classic building.

It was in the knotted fringe of this old flag that one of Booth’s spurs caught when he leaped from Lincoln’s box at Ford’s Theater on the night of April 14, 1863, after having mortally wounded the President and stabbed Maj. Rathbone. Had not the spur caught, Booth’s leg would in all probability not have been fractured or injured and his capture would perhaps have been very much more difficult.

When the advisability of a Home Guard for Washington was suggested the Treasury Department took an early interest if not the initiative in the movement. In In that department there was soon organized a full regiment. It was called the Treasury Guard, and Treasurer E. E. Spinner was made its colonel. Every afternoon after the department closed the regiment was drilled on the White Lot. Large crowds witnessed the drills of the Treasury Guards and the ladies of the department and the wives and daughters of the clerks naturally took a fond interest in the organization. These ladies at a meeting determined to present to the regiment a stand of colors. The regimental flag of the guard in the office of the captain of the watch of the Treasury, but it is the national flag with which this account deals.

On the night of April 12, 1865, the Treasury Guard gave a ball at Ford’s Theater. The theater was transformed into a large ballroom by the erection of a temporary flooring over the tops of the scats in the lower part of the house. The decorations were elaborate, and the flags of the guard were draped on the boxes. The guest of honor at that ball was Commodore Winslow of the Kearsarge. It was the first visit of that officer to Washington after the sinking of the Alabama.

It is narrated that after the ball John T. Ford requested the officer of the Treasury Guard to allow the flags to remain on the boxes as the President was expected to attend a performance at the theater the night of April 14. How Booth shot the President how he leaped from the box, how his spur caught, how his leg was broken or fractured by the fall, and how his injury proved an impediment in his flight are matters of common knowledge.

The day after Lincoln’s death, when the whole city was practically under martial law and Andrew Johnson had taken the oath of office as President in that room of the Treasury building long occupied as the office of the director of the mint, but which was then the office of the Secretary of the Treasury, the guard flag was brought up from the theater and taken into this room. The rent made in it by the assassin’s spur was exhibited to all those present. The Treasury Guard soon after disbanded, the flag was stored away and forgotten, and it was not brought to light again until 1872, when Capt. Cobaugh of the Treasury watch found it in the machinists’ shop in the basement of the building. The flag was loaned to the Lincoln Museum by Secretary Gage, but it was recalled not so long ago.

The pistol used by Booth in the assassination of Lincoln is in a safe in the office of the judge advocate general of the army, having been in the custody of that officer since the trial of the conspirators. This fact was brought out a few years ago by the sale in Philadelphia of a pistol with which the crime was said to have been committed. The purchaser wrote to the War Department and learned that he had been victimized.

Booth’s spur, the one which tripped him, and which was removed from his injured leg by Dr. Mudd, is in possession of Capt. Oldroyd.”

Torn Treasury Guard Flag

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The Boothbay Theatre Auction

Thanks to the recent offering of books from authors Richard and Kellie Gutman, I purchased the auction catalog from the June 1990 auction of the Boothbay Theatre Museum collection.  The private museum was located in Boothbay, Maine and contained the collection of Franklyn Lenthall, a theatrical producer, director, and teacher.  Here are a couple of excerpts from Lenthall’s introduction in the catalog:

“Since the age of twelve I have had a passion for theatre, and I have always been a scavenger.  When I read Eleanor Ruggles’ “Price of Players,” my acquisitive instinct focused on the collecting of theatre memorabilia and more especially memorabilia relating to the Booth family…

In 1975 [James] Wilmot and I sold the Boothbay Playhouse and moved the collection to the perfect location, a beautiful 18th century house and barn.  When we learned that John K. Corey was born in this house, and that while he was a soldier, was present at Ford’s Theatre in Washington, D.C., April 14, 1865, when actor John Wilkes Booth assassinated President Lincoln during a performance of “Our American Cousin,” we felt that instinctively we had chosen the right building for the Boothbay Theatre Museum.  Previously we learned Edwin Booth , America’s greatest actor, had sailed into Boothbay Harbor July 27, 1887, on the steam yacht, “Oneida,” as guest of financier E. E. Benedict.  It was on that cruise that the idea of a club for actors was conceived; thus the existence of “The Players” in Gramercy Park in New York City…”

What follows is just a sampling of some of the Booth related items that were sold at the Boothbay auction.

2.  Painting of Edwin Booth, 1833-1893, by N. Clark, ’88.

2 Edwin Booth painting

Pastel on linen.  Signed “N. Clark, ‘88” lower left corner.  Framed, 27-3/4” x 24” s.s., in excellent condition

Provenance: Professional Women’s League, New York City.

($10,000 – 15,000)

4.  Painting of Edwin Booth, American actor, 1833 – 1893, just after 100th performance of “Hamlet” by Hugo Svenson

4 Edwin Booth Painting

Oil (bitumen) on canvas.  Signed “Hugo Svenson” lower right corner (very faint), and marked by label on center bottom of frame “Edwin Booth.” Framed, 24 ½” x 22 ½” s.s., in good condition.

Provenance: Minnesota Historical Society, Blanche DeBar Booth (Ophelia to Hamlet)

($8,000 – 10,000)

Hugo Svenson has a studio in New York City.  Blanche DeBar Booth, niece to Edwin, played Ophelia in the 100th performance of “Hamlet”.  Edwin presented her with the portrait, and she in turn presented it to the Minnesota Historical Society

5.  Painting of Edwin Booth, American actor, 1833 – 1893, performing “Hamlet” at the age of 30, by Gabriel Harrison, along with cabinet photo of him.

Booth painting

Oil on canvas, full length portrait.  Signed “Gabriel Harrison” and dated 1894 in lower left corner.  (Harrison as an actor himself, though not considered greatly good.) Framed, 29 ¾” x 19 ¾” s.s. General crackling of surface, otherwise good condition.

Provenance: Sankey Lemley, New York City, estate of Gabriel Harrison.

($7,000 – 10,000)

308.  John Wilkes Booth, actor, brother of Edwin Booth, and assassin of President Lincoln, 1839 – 1865 case with two canes.

Booth's cane

One cane given to Booth by Laura Keene, 1826 – 1873, marked on a silver band, “John Wilkes Booth from Laura Keen [sic], 1865.” Ivory handle, 3 ½” x 1”, 32 ¾” long overall.

Provenance: Mrs. E. Harrison Eudy and her mother

($5,000 – 10,000)

313. Edwin Booth, 1833 – 1893, original oval oil portrait by John R. Johnston, one of Baltimore’s most famous portrait artists.

Photo May 02, 8 28 46 PM

Mark on back, “Sitting From Life, Baltimore, 1851,” and signed.  This handwriting has been documented as that of Johnston, who also painted Andrew Jackson and Franklin Pierce, to name a few.  This portrait is believed to be a preliminary oil for a later portrait that was never done.  Two letters of provenance accompany work.  Framed in brass and glass, 13 ½” x 12”.

($2,000 – 3,000)

315.  Fireplace bellows from “Tudor Hall” and used in the original homestead of the Booth family in Belair, Maryland.

Tudor Hall Bellows

Wood, leather and metal, with a painted flower design on one side.  17 ½” high, 7 ½” wide, 2 ½” unextended depth.  In good, well used condition.

Provenance: Florence Williams, American actress, from member of family Elijah Rogers.

($1,800 – 2,000)

316. Five cash books from Edwin Booth’s “Booth Theatre,” and one account pad.

Booth's theatre pad

Contains names of plays and dates, net receipts and expenditures (such as the cost of a carriage for Mr. Booth), and net profits for the years 1869, 1871 – 1874, 1876 and 1877.  Every entry is initialed “J.H.M.,” by J. H. Magonigle, a theatre representative, or “J.A.B.,” by Joseph A. Booth, the youngest child.  Conditions of bindings vary, but interiors are excellent.  Minor child’s scribbling on a few blank pages, not affecting business contents.  Pad of forms marked “Booth’s Theatre” contains date, performance, weather and fascinating remarks about actors and plays, such as “’Black Crook’ at Niblo’s good, Grand Opera House bad, opening night Bryant’s Opera House all the critics present.” The dates begin Sept. 4,1873 and end May 30, 1874, with hundreds of entries.  The pad has some loose front pages, and a few of the last back pages are damp stained.

Provenance: J. A. Booth

($1,500 – 2,000)

320. Edwin Booth, John Wilkes Booth, J. B. Booth, Jr., playbill from the Booth benefit for the Shakespeare Statue Fund, Winter Garden Theatre, NYC.JWB playbill 2

This one-performance-only playbill is probably the rarest of all American playbills.  The statue still stands in Central Park.  The dedication program for the statue is also offered in this sale.  Framed and matted under glass, 20 ¾” x 8 ¾”.

($1,000 – 1,500)

325. Sydney Booth make-up box, marked across front in red, “Sydney Booth,” and “Theatre.”

Sydney Booth box

Contains crepe hair, prepared mustaches, beards and sideburns, 5 shoe lifts, face powder, dry and moist rouge, rosin, rabbit’s foot, two pair scissors, collapsible drinking cup in a leather carrier, a brush, a collapsible coat hanger, a curling iron, hair color, corkscrew, and an 11-pocketed apron with additional make-up in compartments.  Make-up box is plain black leather with intact handle, and attached to inside lid are his only child’s pink leather, lace trimmed baby slippers, 3 ½” x 2 ½”.  Case measures 12” x 15 ½” x 7”. Very good condition.

Provenance: Elizabeth Barton Booth, wearer of the baby boots.

($800 – 1,200)

326. John Wilkes Booth playbill from “Macbeth,” Willard’s Howard Atheneum, Oct. 7, 1863.

JWB playbill 1

Framed under glass, 19 ¼” x 7”. Excellent condition.

($750 – 1,000)

330. John Wilkes Booth playbill from “Richard III,” Willard’s Howard Antheneum, Boston, Oct. 10, 1863.

JWB playbill 3

Mounted in two portions and marked “Positively the last appearance of the popular young tragedian.” Above playbill is an 8-sided picture of John Wilkes Booth with his name mounted underneath.  A faded assassination reward poster with Lincoln’s photo is mounted on reverse. Framed, 25 ¾” x 8 ¾”.

($650 – 850)

603. Costume knee length, leather boots worn by Edwin Booth.

Edwin's boot

Very good condition.

Provenance: Sydney Booth

($750 – 1,000)

604.  Portion of velvet braid stole worn by Edwin Booth as “Richelieu,” with a carte de visite of Booth as “Cardinal Richelieu.”

Booth as Richelieu

In a wooden case with glass cover, 11 ½” x 8”. Excellent condition.

Provenance: Conway Barker, Charles Dominge.

($700 – 1,000)

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I have a Booth diary!

When I arrived home yesterday, I found a card in my mailbox stating that the mailman tried to deliver a package but, seeing as no one was home, he held on to it.  I knew exactly what the package was.  It was something that I had been anticipating since the first day I saw it online – my replica John Wilkes Booth diary!  I filled out the postal service card to give them permission to leave it on my stoop, and I rushed home today.  I knew from all the emails, pictures, and collaboration between Pasquale and I, that I was going to really like the diary.  Even though I had seen pictures of the diary throughout the entire process and helped Pasquale replicate the inside of the diary page by page, with the actual product in my hand, I am still completely amazed at the craftsmanship and detail in every stitch and every page. I’m extremely excited and it’s time to show off my John Wilkes Booth diary:

So, I’m on cloud nine right now. If you would like to join me, you can order your own diary for $400 + $25 shipping. I know it’s a sizeable amount of money, but trust me, it is absolutely worth it. Pasquale has made a very unique and very detailed replica that is second to none. I’d be happy to photograph any other part of the diary and post it here if it will help you make your decision. For those of you ready to take the plunge, email me at boothiebarn (at) gmail (dot) com and I’ll send you information on how to send money to Pasquale. Update: Pasquale is all out of John Wilkes Booth diaries and will not be making anymore.  Thank you to all who supported his hard work.

I have a Booth diary!!!!!!!!!

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A Trip to Gettysburg with Boothie Results

Today, I drove up to Gettysburg, PA.  While in Gettysburg, I spent some time looking at a few antique stores and a museum.

At one antique store, I found and purchased these two newspapers:

Harper's Weekly - Edwin Booth Sam and Mike - Philadelphia Inquirer

Another antique store had this stereoview card of the room in which Lincoln died, but it was a bit out of my price range:

Lincoln Deathroom

I then went to the Gettysburg Museum of History. Those of you who watch the History channel show, American Pickers, might remember one episode in which the pickers, Mike and Frank, are commissioned by the curator of the Gettysburg Museum of History to find some items for him. The museum is quite remarkable with a large and varied collection of items. In particular interest to me was this shelf of Lincoln and Lincoln assassination related materials:

Gettysburg Museum of History

John Wilkes Booth playbill

John Wilkes Booth playbill


Bells and Songbook - Gettysburg

Bells and songbook from Ford’s Theatre


Piece of towel that was placed around Lincoln's head to stop the bleeding next to one of the few authentic locks of Lincoln's hair.

Piece of towel that was placed around Lincoln’s head to stop the bleeding next to one of the few authentic locks of Lincoln’s hair.


A piece of Booth's splint

A piece of Booth’s splint

There are many other items in the collection worth seeing, including an entire room devoted to JFK and his assassination.  So, next time you’re in Gettysburg, check out the Gettysburg Museum of History.

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Petersen House Damages

Aftermath Petersen House

There are several blood relics associated with Abraham Lincoln’s assassination: swatches of Laura Keene’s bloodied dress, playbills and misc papers dipped in Lincoln’s blood as he was carried from Ford’s, and the remnants of the physicians’ cuffs and clothing at Lincoln’s death-bed.  The most intact blood relics, however, come from the Petersen House itself.  From pillows, to sheets, to towels, the Petersens sacrificed a great deal of their household furnishings for the dying President.  In the aftermath, they experienced more loss as relic hunters seized upon their boarding house.  As William Clark, the man who was renting the room in which Lincoln died but was absent the nightof the 14th, wrote to his sister on April 19, 1865:

“Everybody has a great desire to obtain some momento from my room so that whoever comes in has to be closely watched for fear they will steal something.”

The number of items we have today regarding Lincoln’s last moments demonstrates that there was considerable loss on the part of the Petersens. After a few months had passed for national grieving, the Petersens appealed to the government:
Petersen's claim Pacific Commerical Advertiser 9-16-1865
Adjusted for inflation, $550 in 1865 is equal to about $8,000 today. Michael Kauffman, author of American Brutus, states in his book that he could find no record that the Petersens were ever awarded compensation for their claim.   Part of me feels sorry that the Petersens gave so much for the dying President and got nothing in return, while the other part of me feels that the eternal preservation of their former home and name as a part of a national park may be compensation enough.

References:
American Brutus by Michael Kauffman
Pacific Commerical Advertiser 9-16-1865

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Edwin Pitts, Chief Clerk of the Judge Advocate General’s Office

For a third time, I have inadvertently run into the name of Edwin Pitts, the Chief Clerk of the Judge Advocate General’s Office in the War Department. It appears, from photographs, that among Mr. Pitts’ duties were to attend to and show interested parties the relics of the trial of the Lincoln assassination conspirators. Twice I have highlighted images of Mr. Pitts holding Booth’s derringer:

In addition to the anonymous photographers above that wished to see the trial exhibits, Edwin Pitts also apparently showed the relics to at least one author of an assassination book. Upon the completion and publication of his book, Philip Van Doren Stern sent Edwin Pitts an autographed copy of his book, The Man Who Killed Lincoln.  The War Department replied to the gift with the following sad letter:

January 14, 1939

My dear Mr. Stern:

This office is in receipt of an autographed copy of your book entitled “The Man Who Killed Lincoln”, addressed to Mr. Pitts.

I am very sorry to advise you that Mr. Pitts died of lobar pneumonia on December 12th last after an illness of two weeks.

The book and your letter to Mr. Pitts will be turned over to his widow upon her return from Florida where she has gone for recuperation.

Very truly yours,

Joseph L. Lyons,

Chief Clerk

I don’t know how long Edwin Pitts was employed in the JAG office, but from the above pictures it appears that this civil servant died a bit before his time.  Au Revoir, Mr. Pitts and thank you for keeping an eye on the assassination relics during your tenure.

EDIT: Thanks to the wonderful memory of researcher Wesley Harris, an expert on the weapons used by the conspirators, here is another piece of evidence of Mr. Pitts’ employment at the War Department.  The following letter is to a Miss. Lenigan who apparently asked what items were in the possession of the War Department in 1936.  This list was sent to her by E. B. P. or Edwin B. Pitts:

Not all the items in the above list are correctly identified, though. The biggest one would be Powell’s knife which was not in the posession of the JAG’s office since it was given to Private George Robinson in 1867. Still it’s clear that Mr. Pitts was the go to person in the JAG’s office when it came to the relics of the conspirators.

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Conspirator Canes

Prison life at Fort Jefferson, Dry Tortugas was a miserable affair.  From the food, to the weather, to the living conditions, it’s hard to imagine that anyone stationed there, guard or prisoner, found the now tropical paradise hospitable.  All those that sailed to the island fort became prisoners.  It appears that when the lives of the inhabitants were not in danger from disease or malnutrition, extreme boredom prevailed. The Lincoln assassination conspirators Dr. Mudd, Edman Spangler, Samuel Arnold, and Michael O’Laughlen fought against this boredom.  The assigned duties given to the men helped in some ways.  Dr. Mudd, while a trained surgeon who would be a nurse in the hospital and an emergency replacement during the Yellow Fever epidemic, spent a considerable amount of time with Edman Spangler in the carpentry shop on the island.  Through three and a half years, he honed his carpentry skills and created several beautiful items that are currently on display at the Dr. Samuel A. Mudd House Museum in Waldorf, MD.  One set of items that Dr. Mudd became effective at creating were canes.

In addition to these two canes on display at the Mudd house, the good doctor also created a cane for his cousin, Henry A. Clarke. When Dr. Mudd was struggling to find an attorney willing to take his case during the conspiracy trial, he reached out to Clarke who owned a Washington coal company. On May 10th, Col. Henry Burnett sent a letter to Clarke asking if he would be Mudd’s counsel. Clarke responded back truthfully that he was not an attorney but would be happy to help Dr. Mudd in securing counsel. By the time Clarke had responded, Dr. Mudd had already secured Thomas Ewing and Frederick Stone for his defense.

Clarke would later make an appearance at the trial testifying on Dr. Mudd’s behalf. Even though he couldn’t keep his cousin out of prison, the family story is that Clarke continued to advocate for Dr. Mudd’s release. As a result, Dr. Mudd presented a cane to Henry Clarke. A few years ago, the cane made an appearance on Antique Roadshow:

Dr. Mudd was not the only conspirator to make canes for family and friends.  His own mentor in the carpentry world, Edman Spangler, also created canes from the wood at Fort Jefferson:

The canes, cribbage boards, shell decorated boxes, and other feats of craftsmanship were all therapeutic ways for Dr. Mudd to feel productive. Had it not been for these minor, but important, outlets of purposefulness, the Lincoln assassination conspirators could easily have succumbed to insanity.

References:
The Dr. Samuel A. Mudd Research site by Robert Summers
The Evidence by Steers and Edwards
Genealogybank.com

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Booth’s Boat

While I sit here in the midst of a hurricane, I can’t help but think of the currents that John Wilkes Booth and David Herold had to overcome in their attempts to cross the Potomac River.

I certainly wouldn’t want to be out on the water today with this little row boat.

References:
Engraving from Frank Leslie’s Illustrated Newspaper 5/20/1865
Article from the Philadelphia North American 5/5/1865

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