Posts Tagged With: Maps

The Lincoln Assassination On This Day (May 9 – May 15)

Taking inspiration from one of my favorite books, John Wilkes Booth: Day by Day by Art Loux, I’m documenting a different Lincoln assassination or Booth family event each day on my Twitter account. In addition to my daily #OTD (On This Day) tweets, each Sunday I’ll be posting them here for the past week. If you click on any of the pictures in the tweet, it will take you to its individual tweet page on Twitter where you can click to make the images larger and easier to see. Since Twitter limits the number of characters you can type in a tweet, I often include text boxes as pictures to provide more information. I hope you enjoy reading about the different events that happened over the last week.

NOTE: After weeks of creating posts with multiple embedded tweets, this site’s homepage now tends to crash from trying to load all the different posts with all the different tweets at once. So, to help fix this, I’ve made it so that those viewing this post on the main page have to click the “Continue Reading” button below to load the full post with tweets. Even after you open the post in a separate page, it may still take awhile for the tweets to load completely. Using the Chrome browser seems to be the best way to view the tweets, but may still take a second to switch from just text to the whole tweet with pictures.

Continue reading

Categories: History, OTD | Tags: , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Mapping John Wilkes Booth’s Career

Prior to the assassination of Abraham Lincoln, John Wilkes Booth was known as one of the preeminent actors of his day. Having come from a theatrical dynasty that included his father and brothers, Booth found great success as a touring star. His engagements in different cities were always well attended and, even in his early attempts, his talent in his chosen roles was commented on in the press.

The best works that delve into Booth’s theatrical career are John Wilkes Booth: Day by Day by Arthur F. Loux (2014)Rough Magic: The Theatrical Life of John Wilkes Booth by Deirdre Kincaid (2000), and Lust for Fame: The Stage Career of John Wilkes Booth by Gordon Samples (1982). These texts establish an accounting of Booth’s travels as a touring star while also providing specific details about his engagements in the different cities of the nation.

Over the past week, I have completed an update to the Maps section of BoothieBarn. Utilizing the above named sources (specifically Art Loux‘s book), I have been able to mark the location of every theater John Wilkes Booth performed in during his career. Booth acted in a total of 42 different theater venues over his ten-year career, often returning to the same ones for repeat engagements. Of the 42 theaters Booth performed in, only one is still in operation as a theater with at least part of the structure the same as when Booth performed there. That single remaining venue is Ford’s Theatre.

The Montgomery Theatre in Montgomery, Alabama was the only other extant theater building John Wilkes Booth performed in besides Ford’s Theatre. It was demolished in 2017.

Not only are the vast majority of theaters that once dotted the major cities of the United States during the Victorian era gone, but, for most of them, there is not even a sign to mark where these historic centers of culture and entertainment once stood. Of the 42 venues John Wilkes Booth performed in, for example, only eight have some sort of historic marker or plaque near the site. Still, by using historic maps, city directories, and newspaper records, I have managed to pinpoint the exact location of each of these 42 theaters and provide GPS coordinates for them.

The different venues can be found by clicking on or zooming in on any of the Lincoln Assassination Maps that can be found on the Maps page. For ease of use, however, I have created the following table below that gives an outline of Booth’s theatrical career. Clicking on the hyperlinked name of any one of the theaters in the table will open its corresponding map and center it above the theater site. You can then click the pin to get more information about the theater and Booth’s time there. NOTE: After publishing this post, I’ve found that the theater hyperlinks will work without issue on actual computers and on mobile devices / tablets that DO NOT have the Google Maps app installed. If you have the Google Maps app installed, the hyperlinks may not open the maps as described. For IOS (Apple) users with the Google Maps app installed you can still open the maps by pressing and holding one of the hyperlinks lightly for a bit. Then press the “Open in New Tab” option that comes up. After doing this once, all subsequent clicks by you should load the maps in the browser rather than in the Google Maps app (thought you may have to zoom out/in to get the background map to load properly). My apologies for the inconvenience. The table works without issue on a desktop computer.

I have divided John Wilkes Booth’s acting career into four parts; his debut, his time as a stock actor, his time as a touring star, and his retirement / conspiracy period. After the table is a brief overview of these parts of John Wilkes Booth’s career.

John Wilkes Booth’s Acting Career

(1855 – 1865)

Assembled from John Wilkes Booth: Day by Day by Arthur F. Loux

 Click the theater name to open its location in Google Maps

Not included: Childhood theatricals or impromptu dramatic readings

Engagement

Start – End

City, State

Theater

Debut (1855)

August 14, 1855

Baltimore, Maryland

Charles Street Theatre

Stock Actor (1857 – 1860)

August 11, 1857 –

June 19, 1858

Philadelphia, Pennsylvania

Arch Street Theatre

September 4, 1858 –

October 30, 1858

Richmond, Virginia

Marshall Theatre

November 1, 1858 –

November 13, 1858

Lynchburg, Virginia

Dudley Hall

November 15, 1858 –

February 12, 1859

Richmond, Virginia

Marshall Theatre

February 14, 1859 –

February 24, 1859

Petersburg, Virginia

Phoenix Hall

February 25, 1859 –

May 16, 1859

Richmond, Virginia

Marshall Theatre

May 17, 1859 –

June 15, 1859

Lynchburg, Virginia

Dudley Hall

June 17, 1859 –

June 25, 1859

Petersburg, Virginia

Phoenix Hall

June 27, 1859

Richmond, Virginia

Marshall Theatre

September 3, 1859 –

October 15, 1859

October 17, 1859 –

October 22, 1859

Lynchburg, Virginia

Dudley Hall

October 24, 1859 –

November 9, 1859

Richmond, Virginia

Marshall Theatre

November 14 1859 –

November 18, 1859

December 5, 1859 –

December 10, 1859

December 12, 1859 –

December 22, 1859

Petersburg, Virginia

Phoenix Hall

December 23, 1859 –

April 21, 1860

Richmond, Virginia

Marshall Theatre

April 23, 1860 –

April 28, 1860

Petersburg, Virginia

Phoenix Hall

April 30, 1860 –

May 12, 1860

Norfolk, Virginia

Unknown

May 14, 1860 –

May 31, 1860

Richmond, Virginia

Marshall Theatre

Touring Star (1860 – 1864)

October 1, 1860 –

October 12, 1860

Columbus, Georgia

Temperance Hall

October 20, 1860

October 29, 1860 –

November 3, 1860

Montgomery, Alabama

Montgomery Theatre

November 16, 1860

December 1, 1860

January 21, 1861 –

February 2, 1861

Rochester, New York

Metropolitan Theatre

February 11, 1861 –

February 12, 1861

Albany, New York

Gayety Theatre

February 18, 1861 –

February 23, 1861

March 4, 1861 –

March 16, 1861

March 18, 1861 –

April 13, 1861

Portland, Maine

Portland Theatre

April 22, 1861 –

April 25, 1861

Albany, New York

Gayety Theatre

October 21, 1861 –

October 25, 1861

Providence, Rhode Island

Providence Theatre

October 28, 1861 –

November 9, 1861

Buffalo, New York

Metropolitan Theatre

November 11, 1861 –

November 18, 1861

Detroit, Michigan

H. A. Perry’s Metropolitan Theatre

November 25, 1861 –

December 7, 1861

Cincinnati, Ohio

Wood’s Theatre

December 9, 1861 –

December 23, 1861

Louisville, Kentucky

Louisville Theatre

December 25, 1861 –

December 31, 1861

Indianapolis, Indiana

Metropolitan Hall

January 6, 1862 –

January 18, 1862

St. Louis, Missouri

Ben DeBar’s St. Louis Theatre

January 20, 1862 –

February 1, 1862

Chicago, Illinois

McVicker’s Theatre

February 17, 1862 –

March 3, 1862

Baltimore, Maryland

Holliday Street Theatre

March 11, 1862

Baltimore, Maryland

Front Street Theatre

March 17, 1862 –

April 5, 1862

New York City, New York

Mary Provost’s Theatre

April 21, 1862 –

May 3, 1862

St. Louis, Missouri

Ben DeBar’s St. Louis Theatre

May 12, 1862 –

May 24, 1862

Boston, Massachusetts

Boston Museum

June 2, 1862 –

June 21, 1862

Chicago, Illinois

McVicker’s Theatre

June 25, 1862 –

June 30, 1862

Louisville, Kentucky

Louisville Theatre

October 23, 1862 –

October 24, 1862

Lexington, Kentucky

Opera House

October 27, 1862 –

November 8, 1862

Louisville, Kentucky

Louisville Theatre

November 10, 1862 –

November 22, 1862

Cincinnati, Ohio

National Theatre

November 24, 1862 –

November 29, 1862

Indianapolis, Indiana

Metropolitan Hall

December 1, 1862 –

December 20, 1862

Chicago, Illinois

McVicker’s Theatre

December 22, 1862 –

January 3, 1863

St. Louis, Missouri

Ben DeBar’s St. Louis Theatre

January 5, 1863 –

January 10, 1863

Indianapolis, Indiana

Metropolitan Hall

January 19, 1863 –

February 14, 1863

Boston, Massachusetts

Boston Museum

March 2, 1863 –

March 14, 1863

Philadelphia, Pennsylvania

Arch Street Theatre

March 16, 1863 –

March 21, 1863

Baltimore, Maryland

Holliday Street Theatre

April 11, 1863 –

April 18, 1863

Washington, D.C.

Grover’s National Theatre

April 27, 1863 –

May 9, 1863

Washington, D.C.

Washington Theatre

May 18, 1863 –

June 6, 1863

Chicago, Illinois

McVicker’s Theatre

June 15, 1863 –

June 26, 1863

St. Louis, Missouri

Ben DeBar’s St. Louis Theatre

June 30, 1863 –

July 3, 1863

Cleveland, Ohio

Academy of Music

July 6, 1863 –

July 11, 1863

Buffalo, New York

Metropolitan Theatre

September 28, 1863 –

October 10, 1863

Boston, Massachusetts

Howard Athenaeum

October 12, 1863 –

October 13, 1863

Worcester, Massachusetts

Worcester Theatre

October 14, 1863 –

October 15, 1863

Springfield, Massachusetts

Music Hall

October 16, 1863 –

October 19, 1863

Providence, Rhode Island

Academy of Music

October 20, 1863 –

October 22, 1863

Hartford, Connecticut

Allyn Hall

October 23, 1863

Springfield, Massachusetts

Music Hall

October 24, 1863 –

October 26, 1863

Brooklyn, New York

Academy of Music

October 27, 1863 –

October 29, 1863

New Haven, Connecticut

Music Hall

November 2, 1863 –

November 14, 1863

Washington, D.C.

Ford’s Theatre

November 26, 1863 –

December 5, 1863

Cleveland, Ohio

Academy of Music

December 22, 1863 –

December 31, 1863

Leavenworth, Kansas

Union Theatre

January 5, 1864

St. Joseph, Missouri

Corby’s Hall

January 12, 1864 –

January 16, 1864

St. Louis, Missouri

Ben DeBar’s St. Louis Theatre

January 18, 1864 –

January 30, 1864

Louisville, Kentucky

Wood’s Theatre

February 1, 1864 –

February 13, 1864

Nashville, Tennessee

Nashville Theatre

February 15, 1864 –

February 26, 1864

Cincinnati, Ohio

Wood’s Theatre

March 14, 1864 –

March 25, 1864

New Orleans, Louisiana

St. Charles Theatre

March 29, 1864 –

April 3, 1864

April 25, 1864 –

May 28, 1864

Boston, Massachusetts

Boston Museum

Retirement / Conspiracy Period (1864 – 1865)

November 25, 1864

New York City, New York

Winter Garden Theatre

March 18, 1865

Washington, D.C.

Ford’s Theatre

Debut (1855)

As a child, John Wilkes Booth acted in kiddie theatrical productions put on by his brother Edwin and their Baltimore neighbors. He also took part in productions put on at the various schools he attended. However, Booth’s professional debut occurred on August 14, 1855, when he played Richmond in the battle scene of Richard III at Baltimore’s Charles Street Theatre. Booth was 17 years-old and the production was a benefit performance for his former childhood playmate turned actor, John Sleeper Clarke. Clarke would go on to marry Booth’s sister Asia in 1859. Booth did not tell his family about this performance ahead of time and, upon returning home to the family farm of Tudor Hall , he said to Asia, “Guess what I’ve done! I’ve made my first appearance on any stage, for this night only, and in big capitals.”

Stock Actor (1857 – 1860)

Despite making his debut in 1855, Booth did not immediately go into the acting profession. It wasn’t until two years later that John Wilkes Booth’s career of an actor truly began. Like practically all actors, Booth had to start at the bottom and learn the trade. He signed up as a stock actor in Philadelphia’s Arch Street Theatre. He worked a whole season at the Arch Street getting paid $8 a week. His roles were extremely small with little lines, and he rarely was important enough to be mentioned in playbills or reviews. Still, during this time he was learning the plays and gaining valuable experience from the star actors that would come to the Arch Street for their engagements. When the 1858 acting season began, Booth signed up to be a part of George Kunkel’s stock company of actors which paid him $11 per week. Kunkel’s group was based at the Marshall Theatre in Richmond but would occasionally travel to Petersburg and Lynchburg for engagements. Booth spent two seasons with Kunkel’s group, building his craft and experience. By the fall of 1860, John Wilkes Booth was about ready to strike out on his own starring tour.

Touring Star (1860 – 1864)

Though Booth suffered a few mishaps during his first season as a touring star, it was during this period that he reclaimed the name of Booth and started garnering the attention of the theater world. As time went on, Booth’s technique improved and soon he found himself booking engagements in theaters across the nation. Even as a Civil War fractured the nation in two, John Wilkes Booth had no difficulty in finding theaters eager to have him appear. While generally celebrated everywhere he went, Booth found his greatest success in Boston, St. Louis, and Chicago, often returning to those cities for engagements. During the 1863-64 season Booth attempted a schedule of shorter engagements in some smaller cities and, while financially successful, the rapid pace exhausted him. When the acting season ended in May of 1864, Booth set his sights on an easier way to make money: the oil business. His attempt to make money in oil ventures occupied him during the summer of 1864, but he was not successful. It was also during this time that Booth’s mind turned to a devious plot against President Lincoln.

Retirement / Conspiracy Period (1864 – 1865)

John Wilkes Booth did not resume his touring career when the acting season began in the fall of 1864. To his questioning friends and family, Booth said he had become rich in the oil fields of Pennsylvania and no longer needed to act. This was a lie used to cover up his preoccupation on his abduction (later assassination) plot against Lincoln. Booth would perform on stage only two times during the last 11 months of his life. On November 11, 1864, John Wilkes Booth took part in a single performance with his brothers Junius, Jr. and Edwin. Known as the Booth Benefit performance of Julius Caesar, the proceeds of the performance went to the erection of a statue of Shakespeare in New York’s Central Park.

Then, on March 18, 1865, John Wilkes Booth made his final stage performance in a production of The Apostate at Ford’s Theatre. The performance was a benefit for his friend, actor John McCullough. Less than a month later, John Wilkes Booth returned to the stage of Ford’s Theatre, this time with a bloodied knife in his hand and a fatally wounded President slumped over in his theater box.

For more information about the stage career of John Wilkes Booth, please check out John Wilkes Booth: Day by Day by Arthur F. Loux.

Categories: History | Tags: , , , | 20 Comments

An Assassination Vacation in the Midwest

I am visiting my family here in Illinois and decided to use the opportunity to make use of the newly updated Lincoln assassination maps here on BoothieBarn.  I planned and executed a two day excursion to visit some of the sites on the Lincoln Assassination in the Midwest map.  The following is an overview of my trip composed using the tweets I sent out en route along with a couple of short videos I made.

While the trip mainly consisted of two long days of driving, I enjoyed myself and it was a lot of fun to see so many Lincoln assassination places, graves, and artifacts all at once.  Thank you to the Historical Society of Quincy and Adams County, Mr. Blair Tarr, curator of the Kansas State Historical Society Museum, Nikaela Zimmerman, Barry Cauchon, and Steve Miller for all your help in making this trip possible.  Also, thank you to my parents for letting me use (and put a considerable number of miles on) their car.

Now you all get out there, take your own assassination vacation, and tell me about it in the comments below!

Categories: Uncategorized | Tags: , , , , , , , , , | 19 Comments

Jumping John Surratt

After I posted about the update to the Maps section yesterday, Lincoln researcher Eva Lennartz of Germany made the following comment:

“I have a question – from Mr. Fazio’s new book I just “learned” Surratt’s leap over the balustrade was an embellishment (which would make sense to me). So you think it wasn’t?”

What follows is my response to Eva, which started as a comment but quickly grew into a post.


John Surratt's Leap 2

Eva,

With regards to John Surratt’s leap from justice on November 8, 1866, there has been some embellishment done to the story (particularly in some of the fanciful penny dreadfuls, that illustrate this post), but records are clear that he did make the jump.

You’ll remember that John Surratt was most likely in Elmira, NY when the assassination occurred.  When he heard the news he fled up to Canada, where he was hidden away for the entirety of the trial of the conspirators.  In September of 1865, Surratt traveled from Montreal to Liverpool, England. From there he made his way to Rome where he enlisted in the Papal Zouaves (the Pope’s army) on December 11, 1865.  His alias was John Watson, a native of Scotland and he served in the Papal Zouaves until he was identified by a fellow zouave, Henri Beaumont de Ste. Marie.  Finally, on November 7, 1866, John Surratt was arrested by the Zouaves on the request of the American government and imprisoned for a night in the Zouave barracks in Veroli, then part of the Papal States.  On the morning of November 8th, Surratt was awaken by the guards, told he was going to be transported to Rome, given coffee and then marched with a guard of six men towards the barracks gate.  As the story goes, before reaching the gate John Surratt asked to use the privy which was located near the back of the barracks and overlooked a cliff leading down to the valley below.  He was given permission to use the privy and, upon being unescorted near the latrine, he vaulted over a balustrade and leapt over the cliff.  Let’s look at the reports and accounts of John Surratt’s escape.

Right after Surratt made the leap and escaped, the commander of the detachment in Veroli, Captain de Lambilly, sent a telegram to Velletri that was forwarded on to Rome. It said, “At the moment he left the prison, surrounded by six men as guards, Watson plunged into the ravine, more than a hundred feet deep, which defends the prison. Fifty zouaves are in pursuit.”

Later that day, when the pursuit of Surratt had failed to recapture him, Captain de Lambilly, would write about the circumstances further. “The gate of the prison opens on a platform which overlooks the country; a balustrade prevents promenaders from tumbling on the rocks, situated at least thirty-five feet below the windows of the prison…This perilous leap was, however, to be taken, to be crowned with success. In fact, Watson, who seemed quiet, seized the balustrade, made a leap, and cast himself into the void, falling on the uneven rocks, where he might have broken his bones a thousand times, and gained the depths of the valley”.

Probably the most helpful account, however, is one written by Colonel Allet, De Jambilly’s immediate superior. Allet was stationed in Velletri, some 70 km away from Veroli. After Surratt’s escape on November 8th he sent one of his men to Veroli to investigate. On November 9th, Allet wrote to his superior, the Pontifical Minister of War, what had been learned from the investigation: “I am assured the escape of Watson savors a prodigy. He leaped from height of twenty-three feet on a very narrow rock, beyond of which is a precipice. The filth from the barracks accumulated on the rock, and in this manner the wall of Watson was broken. Had he leaped a little further he would have fallen into the abyss.”

John Surratt's Leap 3

From the above records it seems a bit unclear the exact distance of Surratt’s leap. Regardless, there’s no doubt that Surratt made this perilous leap and was extremely lucky to have landed where he did. Had he missed the outcropping of filth covered rocks some 23 – 35 feet below, he surely would have perished in the fall. But that’s not to say that even the jump he made couldn’t have killed him. Even Captain de Jambilly was astonished that Surratt survived, “Lieutenant Monsley and I have examined the localities, and we asked ourselves how one could make such leaps without breaking arms and legs.”

Despite what Mr. Fazio might have you believe in his book, John Surratt did not land unscathed. He injured his arm and his back in the fall. That is why, when he reached the Italian city of Sora, Surratt sought medical treatment. From Sora he went to Naples where he was questioned and held by the authorities there. While there he passed himself off as a Canadian and told the Naples police that, “he had been in Rome ten months; that, being out of money, he enlisted in the Roman Zouaves, &c.; that he was put in prison for insubordination, from which he escaped, jumping from a window or high wall, in doing which he hurt his back and arm, both of which were injured.”

So, let’s look at the evidence. In supporting John Surratt’s leap we have multiple 1866 reports on the nature of his escape, and a supporting confession from John Surratt himself before any publication of the story occurred. On the side against him making the leap is a newspaper article from 1881 filled with the inaccuracies. You can read Mr. Lipman’s account for yourself HERE.

The account is filled with errors, but the one that makes it the most obvious that Lipman never met Surratt in the Zouaves is the fact that he gives the precise year of 1867 as when everything occurred. As we know, Surratt was back in America in 1867 as he was standing trial by then. Lipman shows some knowledge of the Italian territory (though his geography of Surratt’s whereabouts doesn’t exactly match the official record) which makes it possible that he could have been a member of the Zouaves himself. However, it seems that, after learning the details of John Surratt’s arrest from other zoauves or even just from the latter’s highly publicized trial, Lipman decided, years later, to falsely add himself to the narrative.

Is the story of John Surratt leaping over the balustrade at the Papal barracks in Veroil, Italy a dramatic one that is hard to believe? Absolutely, but it did happen.

John Surratt's Leap 1

Surratt had be on the run for over a year and a half before he was his arrested in Veroli. Did he plan his perilous escape while sitting in his cell the night before or did the idea just come to him as he walked near the barracks’ privy? Did Surratt take the plunge expecting to die in the attempt, or did he have faith he would live? How did his survival from such a death defying leap affect the rest of his escape and his life? These are the fascinating questions that I like to ponder.

I hope this helps, Eva. Remember to always question noncontemporary sources from people claiming to have been involved in historical events. The desire to be connected in someway to history can drive even the most decent and honest person to lie and exaggerate. Too often, authors are so determined to find proof of their claims that they suffer from confirmation bias, and put their faith in disreputable sources like these in order to “prove” their beliefs.

I would, however, be remiss if I did not include this final note on the subject. On April 8, 1867, a newspaper article was published in the New York Times entitled, “A Visit to Surratt”. The article recounts the visit of the newspaper corespondent to John Surratt’s jail cell, where the conspirator permitted an interview. You can read the full article HERE.

According to the article, while John Surratt was in prison in America he read, “with great apparent interest, the published accounts of his capture and escape.” The article then recounted the following regarding his famous leap:

Surratt recounts his escape 1867

So perhaps, Surratt’s magnificent jump was only a distance of twelve feet. By the time the other zouaves made it over to the balustrade and looked down he could have climbed down the extra ten or fifteen feet, which was then thought by those above to have been the distance he fell. We don’t know for sure. What we do know is that John Harrison Surratt did continue his flight from justice by taking a leap of faith in Veroli, Italy, only to be captured less than twenty days later, in Alexandria, Egypt.

References:
The Pursuit & Arrest of John H. Surratt: Despatches from the Official Record of the Assassination of Abraham Lincoln edited by Mark Wilson Seymour
John Surratt: The Lincoln Assassin Who Got Away by Michael Schein

Categories: Uncategorized | Tags: , , , | 13 Comments

Take an Assassination Vacation!

With summer in full swing, now is the time to get out there and take a vacation. Whether it be a lengthy week long trip to a city or shore far distant, or a day’s drive to a “not so nearby” locale, there’s nothing like the thrill of going somewhere new. For the historically minded, vacations often involve adventures such as visiting a museum, rediscovering a National Park, or just taking a selfie with a historical marker off the highway. No matter what form they may take, vacations allow us to make our own marks and memories in places outside our everyday lives.

I’ve long said that the story of Lincoln’s assassination is told all over this nation. I cannot tell you how many times I’ve been in the middle of nowhere when suddenly I find a reference to the assassination staring me right in the face. The impact of Lincoln’s death and the manhunt for John Wilkes Booth reached around the globe. Over the last week, I have been working diligently to update the Maps section of this website in order to demonstrate how far reaching it truly is. The result has been the creation of five new maps, four which cover the entirety of the United States and a fifth map representing the rest of the world. All of these maps provide the locations, a brief description and the exact GPS coordinates of different sites related in some way to the assassination of Abraham Lincoln and his assassin, John Wilkes Booth.

Lincoln Assassination Maps

The maps are still in the beginning stages. The 225 locations currently marked are little more than a drop in the bucket of the potential sites worldwide. Everyday, however, new sites pop into my head and I diligently research to determine their exact GPS coordinates. I’ve analyzed Civil War era maps to determine their modern counterparts, struggled with foreign languages in order to find international sites, and I have even spent hours staring at aerial pictures of cemeteries trying to determine the exact locations of specific graves. It is very slow work, but by pinpointing these sites with GPS coordinates, we can ensure that they will never be lost. The buildings and terrain around them may change but, with GPS, where they once stood can always be found.

With this in mind, I encourage you all to check out the newly updated Maps section of BoothieBarn. See if there’s something “not so nearby” that you might want to drive and see. Better yet, if you are already planning a trip somewhere, take a look and see if you’ll be passing by something assassination related. I mean what kid wouldn’t love to make a detour on their way to Disney World in order to visit a cemetery in Geneva, Florida? “Forget Cinderella’s Castle, Mommy. What I really want to see is the grave of Lewis Powell’s skull!”

So check out the Maps section here on BoothieBarn by clicking the image above. Then get out there and have yourself an assassination vacation!

Categories: Uncategorized | Tags: , , , , , | 9 Comments

Assassination Maps Update

DC, MD, VA Assassination map thumb

I just wanted to publish a quick post highlighting a big update to the Maps section of BoothieBarn.  First, I have added about 30 more sites to the D.C., Maryland, and Northern Virginia map, bringing the total up to over 120 sites on this map alone.  Maps for other regions of the U.S. are planned, but, since most of the action occurred in the Maryland area, I have been focusing on adding to and improving that map first.  To that end, I have gone through and added a new aspect to the map which should make it even easier to locate and visit these sites, especially “on the go”.

We know, from studying an event that occurred 150 years ago, that landscapes have changed.  In many instances, places that were once isolated farms and open land are now housing developments or busy highways.  Old roads are lost to new roads and bypasses.  Due to this, it is important to mark historic sites with something more long term than a street address, which could change (or disappear) in a few short years.  Recording latitude and longitude coordinates based on the Global Positioning System (GPS) is, therefore, the best way to mark sites on an ever changing landscape.  Regardless of what transformation occurs on the site itself, the GPS coordinates will always mark what was once there.

With this in mind, I have gone through and added the GPS coordinates for every site marked on my map.  This is not only for posterity’s sake, but also serves to improve the functionality of the map itself.  Practically every “smart” cell phone built today has the capability of providing driving directions.  Now, with the GPS coordinates included in the description for every Lincoln assassination site, all you have to do is click the place you want to visit on my map, copy the GPS coordinates, and direct your phone or GPS device to give you directions there.

Assassination maps GPS coordinates example

For places like cemeteries, the GPS coordinates are even more helpful, as they direct you almost exactly to the grave you are looking for.  No more wandering around a huge cemetery hopelessly looking for that one grave.  My coordinates will put you right at it.  As I visit more graves in more cemeteries (using a wonderful book by Jim Garrett and Rich Smyth as my guide), I’ll be updating the map with even more grave GPSes.

Grave coordinates example

Me Surratt Grave Jan 2015

So, if you’re planning a trip to the area or, better yet, planning to drive John Wilkes Booth’s escape route on your own, be sure to check out my D.C., Maryland, and Northern Virginia Lincoln assassination map for all the GPS coordinates you’ll need.

Click here to view the updated Maps section of BoothieBarn, now with GPS coordinates!

Categories: Uncategorized | Tags: , , , , | 5 Comments

Mapping the Assassination

I came out to Washington, D.C. for the very first time in 2009.  It was the summer between my junior and senior year of college and the trip was an early graduation gift from my parents.  My father and I had a great time exploring the many wonderful sites before returning back home to Illinois.

Two Illinois natives visiting an old friend.

Two Illinois natives visiting an old friend.

It was a whirlwind visit as we tried to do all the touristy things D.C. has to offer.  We visited the Lincoln Memorial, Ford’s Theatre, the Air and Space Museum, the American History Museum, the National Portrait Gallery, the Library of Congress, the Jefferson Memorial, the FDR Memorial and the Newseum.  We paid our respects at the World War II, Korean, and Vietnam Memorials, as well as visited Arlington National Cemetery and the Marine Corps War Memorial.  We also went up into the Washington Monument, and viewed both the House of Representatives and the Senate in session.  It was a blast.

Admittedly though, my favorite part of the trip was the one day in which my father and I rented a car from Union Station and drove the escape route of John Wilkes Booth.  I had been learning about the assassination for years and I couldn’t wait to visit some of the places I had read so much about.  My father always appreciated Lincoln, so much so that he volunteered not once, but four times to chaperone groups of rowdy eighth graders on their annual class trip to Springfield, IL.  Though Dad doesn’t have the same interest in Lincoln’s assassination as I do, he definitely appreciates the importance of it.

In planning for our day trip, I spent hours tracking down the various locations we wanted to go and printing off directions on how to get there.  It was a difficult process.  I often had to consult many different websites just to figure out where exactly a certain place was.  It took awhile, but in the end, I managed to work up an itinerary.

Our condensed tour was great, except for one hitch.  On our way to the Mudd house I had planned for us to stop and visit the grave of Edman Spangler.  Dad and I pulled up at St. Peter’s Cemetery and spent about an hour looking at every single grave in the place to no avail.  We were almost late for the last tour of the day at the Mudd house due to our searching.  When we told the people at the Mudd house of our difficulty they informed us of our mistake.  “Spangler,” they said, “is buried in the Old St. Peter’s Cemetery.” Dad and I had spent an hour trampling through the wrong cemetery.

This completely understandable mistake has always stuck with me.  It makes me laugh to think of the time Dad and I wasted reading every grave in the new St. Peter’s Cemetery (which, by the way, is down the road from the old cemetery).  It shows how helpful and important it can be to have a guide.

Since moving to Maryland I have been lucky to have the guidance of many knowledgeable individuals.  As time has gone on, I’ve slowly become a guide myself and I am able to point out places relating to the assassination of Lincoln around D.C., Maryland, and Virginia.  Some time ago I started a project of recording the locations of various assassination places using a mapping app called Rego.  At first it was just for my own reference as I pinpointed places I had visited or places that I wanted to visit.  This summer I drove a circuitous route to Illinois and back so I could visit a few of those places on my list.

In August, I decided to make my map widely available.  I converted my Rego map into a custom Google map complete with a color coded key.  Without fanfare or announcement, the new page on BoothieBarn appeared called Lincoln Assassination Maps.

Maps Header Menu Maps Pages Menu

About a month after I created the page, I received a wonderful email from a man who took his grandson along the escape route and used my map to help them plot their course.  I emailed him back expressing how ecstatic I was that someone had not only found the map but used it as I had hoped.  Since then I’ve been slowly adding more places to the map expanding far beyond the escape route.  Using aerial views and my own knowledge, I’ve tried to pinpoint places as specifically as I can, even putting markers directly on top of where graves are in a cemetery in some cases.  Currently, the only map on the Lincoln Assassination Maps page is one that covers D.C., Maryland, and the Northern Neck of Virginia.  Though it already contains about 100 sites, it, by no means, is complete.  Future maps will highlight places in other regions such as the Midwest, the South, the Northeast, and even an International map.

With a subject as vast as the assassination of Lincoln, a guide is much needed commodity.  I hope that these maps will serve as beneficial guides for those of you who want to explore the plethora of assassination related sites.

Click HERE to check out the BoothieBarn Lincoln Assassination Maps page!

DC, MD, VA Assassination map thumb

Categories: Uncategorized | Tags: , , , , | 12 Comments

Blog at WordPress.com.