Posts Tagged With: Booth Family

“To Whom it May Concern”

On this date in 1865, the Philadelphia Inquirer published a telling letter written by John Wilkes Booth, the recent assassin of President Lincoln.

To Whom is Published

The letter is known to readers of the Lincoln assassination story as John Wilkes Booth’s, “To Whom it May Concern” letter. Its title is derived from the letter’s greeting which was appropriated by Booth from a letter written by Lincoln in July of 1864. At that time, a small delegation of “peace emissaries” representing the Confederacy had approached the Union government under the guise of facilitating a cessation of hostilities and possible re-unification of the nation under the condition that they be allowed to continue the practice of slavery. It was a difficult period in the war and Lincoln himself knew his chance of winning re-election later that year was slim. Knowing that Lincoln would never agree to their terms, the so-called “Niagara Falls peace conference” was a piece of propaganda for the Confederacy, which was more aimed to further diminish Lincoln’s approval and chance of re-election. Lincoln was likely well aware of conference’s true purpose and wrote to the “peace emissaries” that any discussion of peace must include the “abandonment of slavery”.

Abraham Lincoln

Abraham Lincoln

Knowing that his position would be viewed and lamented as stubbornness by the Confederacy and by the Democrats running against him, Lincoln decided to add further insult to injury by refusing to address the emissaries by name. Instead, Lincoln wrote his note “To Whom it May Concern,” diminishing the importance and respectability of the so-called “peace emissaries.” John Wilkes Booth subsequently used this somewhat insulting address in his own explanatory letter that follows.

The letter was published due to the efforts of Booth’s brother-in-law, John Sleeper Clarke. Following the assassination of Lincoln, Clarke and his wife, Asia Booth, recalled that John Wilkes had left a package of papers in the safe of their home in Philadelphia. Upon opening the package they found this letter, another addressed to his mother, Mary Ann Booth, and some oil stocks. As more and more Booths arrived at the Clarkes’ home (Mary Ann came from New York very soon after hearing the tragic news in order to comfort Asia, who was pregnant, and Junius Jr. arrived from an acting engagement in Cincinnati to be with the family), John Sleeper thought that the letters would be of help in proving the family’s innocence as to John’s plan. Clarke had copies made of both the To Whom it May Concern letter and the one addressed to Mrs. Booth. Then, accompanied by a member of the Philadelphia press corps, Clarke went to the office of William Millward, the Provost Marshal of Philadelphia.

John Sleeper Clarke

John Sleeper Clarke

Clarke asked the Marshal for permission to publish the letters and the circumstances surrounding their discovery in order to demonstrate that the family had no foreknowledge of John Wilkes’ crime. Millward approved the publication of the To Whom it May Concern letter for the next day but not the letter that John Wilkes wrote to his mother. Millward did not want anything published that might garner sympathy for the assassin. This was a let down to Clarke, as Booth’s letter to his mother more effectively demonstrated how completely unaware the family was as to John Wilkes’ intentions. While the To Whom it May Concern letter was published, it did not assuage the suspicion on the Booth family. Shortly after the letter was published, both John Sleeper Clarke and Junius Brutus Booth, Jr. were arrested and taken down to Washington, D.C. The youngest Booth, Joseph, would also be arrested leaving Edwin as the only male Booth not to be locked up. This series of events greatly bothered Clarke, who would complain about his improper treatment and the favored treatment of Edwin for the rest of his days. The assassination and the events that followed it marked the beginning of John Sleeper Clarke rejecting all things Booth, including his wife, Asia, whom he would grow to loathe.

Though not dated besides the year, Booth’s letter was likely written just following Lincoln’s miraculous re-election in November of 1864. The letter lays out John Wilkes Booth’s political and ideological beliefs and provides his reasons for his plan to abduct President Lincoln. Booth had started, sort of halfheartedly at first, to assemble a crew of conspirators in the summer of 1864 with the idea of abducting the President and taking him South. In this manner, Booth hoped to use Lincoln as a hostage to reinstate the prisoner exchange program between the Union and the Confederacy. This idea took on an increased importance in Booth’s mind after Lincoln’s surprise re-election on November 8, 1864. Immediately following this date, John Wilkes Booth began acting more in earnest and less than a week after the election, he was in Southern Maryland scouting the area and looking for others who might help him in his plot.

John Wilkes Booth Gutman 27

John Wilkes Booth

This letter, therefore, was written right at the beginning of Booth’s plot to abduct the President. It contains perhaps the most honest look into the mind and thoughts of John Wilkes Booth. In less than six months after this letter was written, the same motivations that led Booth to consider abduction, led him to assassinate Abraham Lincoln.

"To Whom It May Concern" 1864 RG 60 Department of Justice Segregated Documents from Attorney General Letters Received, 1809-1870 Box 4 ReDiscovery Identifier: 6542

My Dear Sir                                                                                                                  1864.

You may use this, as you think best. But as some, may wish to know the when, the who, and the why, and as I know not, how, to direct, I give it (in the words of your master)

“To whom it may concern”

Right, or wrong, God, judge me, not man. For be my motive good or bad, of one thing I am sure, the lasting condemnation of the North.

I love peace more than life. Have loved the Union beyond expression. For four years have I waited, hoped, and prayed, for the dark clouds to break, and for the restoration of our former sunshine. To wait longer, would be a crime. All hope for peace is dead. My prayers have proved as idle as my hopes. ‘God’s’ will be done: I go to see, and share the bitter end.

I have ever held the South were right. The very nomination of Abraham Lincoln four years ago, spoke plainly – war – war upon Southern rights and institutions, his election proved it. “Await an overt act.” Yes till you are bound and plundered. What folly. The South were wise. Who thinks of argument and patience when the finger of his enemy presses on the trigger. In a foreign war, I too could

To Whom it May Concern Letter Page 1 NARA

say, “Country right or wrong”, but in a struggle such as ours (where the brother tries to pierce the brothers heart) for God’s sake choose the right. When a country such as ours like this, spurns justice from her side, she forfeits the allegiance of every honest freeman, and should leave him untrammeled by any fealty soever, to act, as his conscience may approve.

People of the North, to hate tyranny to love liberty and justice, to strike at wrong and oppression, was the teaching of our fathers. The study of our early history will not let me forget it. And may it never.

This country was formed for the white not for the black man. And looking upon African slavery from the same stand-point, held by those noble framers of our Constitution, I for one, have ever considered it, one of the greatest blessings (both for themselves and us,) that God ever bestowed upon a favored nation. Witness heretofore our wealth and power, witness their elevation in happiness and enlightenment above their race, elsewhere. I have lived among it most of my life and have seen less harsh treatment from master to man, than I have beheld in the North from father to son. Yet Heaven

To Whom it May Concern Letter Page 2 NARA

knows no one would be willing to do, more for the negro race than I. Could I but see a way to still better their condition. But Lincoln’s policy is only preparing the way, for their total annihilation. The South are not, nor have they been, fighting for the continuance of slavery, the first battle of Bull-run did away with that idea. Their causes since for war, have been as noble, and greater far than those that urged our fathers on. Even should we allow, they were wrong at the beginning of this contest, cruelty and injustice, have made the wrong become the right. And they stand now (before the wonder and admiration of the world,) as a noble band of patriotic heroes. Hereafter, reading of their deeds, Thermopylae will be forgotten.

When I aided in the capture and the g execution of John Brown, (who was a murderer on our Western Border, and who was fairly tried and convicted, – before an impartial judge & jury – of treason, – and who by the way has since been made a God – I was proud of my little share in the transaction, for I deemed it my duty and that I was helping our common country to perform an act of justice. But what was a crime in poor John Brown, is now considered (by themselves) as the greatest and only virtue, of the whole

To Whom it May Concern Letter Page 3 NARA

Republican party. Strange transmigration. Vice to become a virtue. Simply because more indulge in it. I thought then, as now, that the abolitionists, were the only traitors in the land, and that the entire party deserved the fate of poor old Brown. Not because they wish to abolish slavery, but on account of the means they have ever used endeavored to use, to effect that abolition. If Brown were living, I doubt if he himself would set slavery, against the Union. Most, in or many, in the North do, And openly curse the Union, if the South are to return and retain a single right guaranteed them by every tie which we once revered as sacred. The south can make no choice. It is either extermination, or slavery for themselves, (worse than death) to draw from. I would know my choice.

I have, also, studied hard to discover upon what grounds, the rights of a state to secede have been denied, when our very name (United States) and the Declaration of Independence, both provide for secession. But there is no time for words. I write in haste. I know how foolish I shall be deemed, for undertaking such a step, as this, where on the one side, I have many friends, and everything to make me happy. Where my profession alone has gained me an income of more than twenty thousand dollars a year. And where my great personal ambition in my profession has such a great field for labor. On the other hand- the south have

To Whom it May Concern Letter Page 4 NARA

never bestowed upon me one kind word. A place now, where I have no friends, except beneath the sod. A place where I must become either become a private soldier, or a beggar. To give up all of the former for the latter, besides my mother and sisters whom I love so dearly, (although they so widely differ with me in opinion) seems insane. But God is my judge. I love justice, more than I do a country, that disowns it. More than fame and wealth. More – (Heaven pardon me if wrong) more than a happy home. I have never been upon a battlefield, but O my countrymen, could you all but see the reality or effects of this horrid war, as I have seen them (in every State, save Virginia) I know you would think like me. And would pray the Almighty to create in the Northern mind a sense of right and justice, (even should it possess no seasoning of mercy), and that he would dry up this sea of blood between us, – which is daily growing wider.

Alas, poor country, is, she to meet her threatened doom. Four years ago I would have given a thousand lives to see her remain, (as I had always known her) powerful and unbroken. And even now I would hold my life as naught, to see her what she was. O my friends if the fearful scenes of the past four years had never been enacted, or if what had been, had been but a frightful dream, from which we could now awake, with what overflowing hearts could we bless our God and pray for his continued favor. How I have loved the old flag can never, now, be known. A few years since and

To Whom it May Concern Letter Page 5 NARA

the entire world could boast of none so pure and spotless. But I have of late been seeing and hearing of the bloody deeds of which she has been made, the emblem, and would shudder to think how changed she had grown. O How I have longed to see her break from the mist of blood and death that now circles round her folds, spoiling her beauty and tarnishing her honor. But no, day by day has she been draged deeper and deeper into cruelty and oppression, till now (in my eyes) her once bright-red stripes look like bloody gashes on the face of Heaven. I look now upon my early admiration of her glories as a dream. My love, (as things stand to day,) is for the South alone. Nor, do I deem it a dishonor, in attempting to make for her a prisoner of this man, to whom she owes so much of misery. If success attends me, I go penniless to her side. They say she has found that “last ditch” which the North have so long derided, and been endeavoring to force her in, forgetting they are our brothers, and that its impolitic to goad an enemy to madness. Should I reach her in safety and find it true, I will proudly beg permission to triumph or die in that same “ditch” by her side.

A Confederate, at present doing duty upon his own responsibility

J WilkesBooth

To Whom it May Concern Letter Page 6 NARA

References:
“Right or Wrong, God Judge Me” : The Writings of John Wilkes Booth edited by John Rhodehamel and Louise Taper
NARA

Categories: History | Tags: , , , , , | 9 Comments

Come See Me: Spring 2016

As much fun as it is to research and write here on BoothieBarn, there’s something special about being out in public and sharing aspects of the Lincoln assassination with others face to face. Today I had a wonderful time meeting and showing off a few of the Maryland sites of Booth’s escape route with D.C tour guide Rick Snider and his friend Dennis. Rick offers many tours in D.C., including a walking tour of Lincoln assassination sites.

Dave Taylor Rick Snider at Dent's Meadow

My afternoon with Rick and Dennis reminded me of some of the upcoming speaking events that I have in the next few weeks. Spring is the busy season when it comes to the assassination story and so the following are times and places when you can come out and heckle meet me in person. I always love chatting with folks and answering questions about this fascinating period of history.


Date: Saturday, March 19, 2016
Location: St. Charles High School, Waldorf, Maryland (5305 Piney Church Rd, Waldorf, MD 20602)
Time: 12:00 pm – 4:00 pm
Speech: Choose Your Own Path: The Lincoln Assassination
Sample CYOP Lincoln AssassinationSpeaker: Dave Taylor
Description: Over the last few weeks, I have been developing an interactive school program in the same style of the classic “Choose Your Own Adventure” book series. Like the book series, the text is written in second person point of view with the participants taking on the role of a member of Booth’s conspiracy. They are presented with the story of the Lincoln conspiracy and must make decisions to either help or hinder John Wilkes Booth’s plot. The presentation is filled with historical facts and will eventually include a Informational Packet for supplementary info about the people, places, and actions in the story. As part of the Charles County Public Schools’ HITS Expo (think combination History Day and Science Fair) I will be presenting a pilot version of this presentation from 12:00 until 1:00 pm in a classroom and will then be at an informational table for the remainder of the time. The event is open to the public and many other history and science presenters will be there includinh the Maryland Historical Society and rangers from Thomas Stone National Historic site.
Cost: Free

*Additional Event*
Want to make it a full day of events on March 19? After coming to see me in Waldorf, drive up to nearby Clinton and go to the Surratt House Museum at 4:00 pm. Author and blogger Paula Whitacre will be presenting her in depth research on Julia Wilbur, a member of the Rochester Ladies Anti-Slavery Society who lived in Alexandria and Washington D.C. during the Civil War. I was able to see Ms. Whitacre speak on the fascinating diaries of Julia Wilbur last year and used much of her research to write a couple of blog posts regarding Julia Wilbur’s Lincoln assassination experiences. For more information about Ms. Whitacre’s presentation, visit the Surratt House Museum website.


Date: Sunday, April 3, 2016
Location: Tudor Hall (17 Tudor Ln, Bel Air, MD 21015)
Time: 2:00 pm
Speech: Rosalie Booth: The Eldest Sister of John Wilkes Booth
Rosalie Booth speech promoSpeaker: Dave Taylor
Description: As part of Tudor Hall’s 2016 speaking series, I will be presenting about the often forgotten Booth sibling, Rosalie Booth, highlighting her life and contributions to the illustrious Booth family. More information can be found here.
Cost: $5.00 cash for the talk and a tour of Tudor Hall


Date: Saturday, April 23, 2016
Location: Surratt House Museum (9118 Brandywine Road, Clinton, MD 20735)
Time: 7:00 am – 7:00 pm
Speech: John Wilkes Booth Escape Route Bus Tour
Speaker: Dave Taylor
Description: I am the tour guide/narrator for this date’s John Wilkes Booth escape route bus tour. The approximately 12 hour bus trip documents the escape of the assassin through Washington, D.C., Maryland, and Virginia. It is pretty much a full day of me endlessly talking and telling you the story of Booth’s escape while you fall asleep on the bus after a delicious lunch at Captain Billy’s Crab House. It is hands down my favorite “speech” to give.
Cost: $85. Registration information can be found at: http://www.surrattmuseum.org/booth-escape-tour


Date: Sunday, April 24, 2016
Location: St Clement’s Island Museum (38370 Point Breeze Road, Coltons Point, MD 20626)
Time: 2:00 pm
Speech: The Forgotten Tragedy on the Potomac: The Collision of the USS Massachusetts and the Black Diamond
Speaker: Dave Taylor
Description: A memorial event is being planned to honor the 87 lives that were lost in the Potomac River when the USS Massachusetts struck the Black Diamond anchored off of St. Clement’s Island. I will speak on the event and how the tragedy was ultimately collateral damage from John Wilkes Booth’s crime. More information on the entire event will be published in the future.
Cost: Free


Date: Saturday, April 30, 2016
Location: Port Royal, Virginia
Time: 10:00 am
Speech: John Wilkes Booth’s Escape Through Virginia
Speaker: Dave Taylor
Description: A bus tour of the Virginia sites connected to the escape of John Wilkes Booth is being planned by Historic Port Royal with the hopes that assassination author Michael Kauffman will be the narrator. If he is unable to do it, I will be doing the tour. Either way, I will be on the tour bus and will likely be presenting a short skit at the Peyton House in Port Royal re-enacting Booth’s arrival. More information and an exact cost will be posted at: http://www.historicportroyal.net/events/
Cost: $65 (price is not definitive)


*Prime Heckling Opportunity*
Date: Sunday, May 1, 2016
Location: Tudor Hall (17 Tudor Ln, Bel Air, MD 21015)
Time: 2:00 pm
Speech: Junius Brutus Booth and Tudor Hall
Junius Tudor promoSpeaker: Jim Garrett
Description: Jim is a good friend of ours who is a tour guide for D.C.’s Old Town Trolley Tours. Jim’s co-written a couple books on the assassination and is a very lively speaker. He’s also a man in need of a good heckle. I hope to make it up to one of Jim’s talks at Tudor Hall and will have plenty of extra tomatoes if you would like to join me in throwing them at him. Jim will be a busy guy at Tudor Hall giving this Junius speech again on July 10th along with another speech on John Wilkes Booth on June 5th and August 7th. More information can be found here.
Cost: $5.00 cash for the talk and a tour of Tudor Hall


In addition to these scheduled talks and tours, I can also be found as a participant in other assassination related events. On April 14th, I will be attending a nighttime tour of Ford’s Theatre narrated by Manhunt author, James Swanson.

I am also available as a narrator for Booth escape route bus tour for private groups. You can contact the Surratt House Museum to make arrangements for your group and can request me as your tour guide.

You can also find a condensed version of my upcoming speaking engagements on the sidebar menu for desktop users and near the bottom of the page for mobile users. I hope to see you out in the real world sometime and thanks for all your support.

~Dave Taylor

Categories: News | Tags: , , , | 6 Comments

Alice Gray: Successful Partnerships

This is the second installment in a series about actress, Alice Gray. Gray’s photograph was one of the five discovered upon the body of John Wilkes Booth when he was cornered and killed on April 26, 1865. Gray’s theatrical career has largely been forgotten with very little biographical material readily available about her. The following post was developed by consulting a variety of sources including digitized newspapers such as the Buffalo Courier, Baltimore Sun, New York Clipper and D.C.’s National Intelligencer. In all, it took several days’ worth of work to find and organize the material. This post is the second in a series about Alice Grey’s life, career, and connection to the Booth family. To read Part One entitled, Alice Gray: An Actress is Born, please click HERE.

Alice Gray

Part Two: Successful Partnerships

Research completed thus far has yet to solve the mystery of how Alice Gray became acquainted with theater owner John T. Ford. Alice had met many prominent actors and actresses during her run at the Metropolitan, Charleston, and Mobile Theatres. During that time she had acted side by side to both Edwin Booth and H. B. Phillips, two men who were very close to John T. Ford. Perhaps one of them told Ford about Gray’s acting abilities and encouraged him to seek her out. Or perhaps Gray reached out to Ford on her own and inquired about working for him. Regardless of how it happened, when the 1860-1861 theatrical season began, Alice Gray found herself employed by John T. Ford to be the leading stock actress at his Holliday Street Theatre.

In the year prior, John T. Ford had lavishly renovated the Holliday Street Theatre in Baltimore. The Holliday Street Theatre was the only theater Ford owned outright at this time, but he had prior experience leasing and managing other theaters. This was Gray’s first time in Baltimore but the public there quickly took a liking to her. The August 29th, the Baltimore Sun newspaper reported that, “Miss Gray sustained the part of Mrs. Haller last night with quite unexpected grace, talent and effect and received in this case no unmeaning tribute of a call before the curtain to receive the congratulations of the audience. She is a brilliant accession.”

While in Baltimore in the fall of 1860, Alice Gray became acquainted with another member of the Booth family, John Sleeper Clarke. Clarke had known the Booth family from childhood when he played with young Edwin and John Wilkes in Baltimore. Clarke had been a member of Edwin’s kiddie acting troupe that put on plays for the neighbor kids. Clarke followed the Booths into the acting profession but became a comedian rather than a tragedian. In 1859, John Sleeper Clarke married Asia Booth, the youngest Booth daughter. Clarke was a popular comedian for John T. Ford and would make frequent appearances in his theaters. These first performances with Clarke in September of 1860 would be the first of many for Gray.

The respect and approval Gray received from Baltimore audiences was no doubt gratifying to Gray, but once again she was called back to New York City’s stages by her friend, Edward Eddy. Eddy was performing an engagement at the New Bowery Theatre and must have requested Alice Gray by name to be his leading lady. Ford gave Gray permission to leave the Holliday Street Theatre to join Eddy for his engagement in New York.

Engraving of Edward Eddy in the role of Posthumus (click to see the full image)

Engraving of Edward Eddy in the role of Posthumus (click to see the full image)

1860 With Eddy in NY Alice Gray

Alice Gray eventually ended her engagement with Eddy early. Whether this was contracted by Ford when he allowed her to leave or whether she returned back to the Holliday Street Theatre before the end of Eddy’s New York engagement on her own is unknown. Regardless, the decision to depart New York early to return to Baltimore was well founded. That eminent star of the stage, Edwin Booth, was starting an engagement at the Holliday Street Theatre. It had been almost three years since Booth and Gray had performed together back in Buffalo and the young actor’s fame had only increased since then. Booth in Baltimore was more of a draw than Eddy in New York and so Gray took her place alongside him.

Edwin Booth circa 1860

1860 Performing with Edwin Alice Gray

Gray played Juliet to Edwin’s Romeo, Katherina to Edwin’s Petruchio and Desdemona to Edwin’s Othello. Ford no doubt witnessed these performances and felt contented that he had chosen his leading stock actress wisely. By the end of October of 1860, Edwin departed for his next engagement in Philadelphia. Gray continued to act at the Holliday Street Theatre for the remainder of the 1860-1861 season, regularly receiving advertised benefits.

It was while Gray was in Baltimore that the Civil War began. The conflict commenced on April 12, 1861, when Confederate forces laid siege upon Fort Sumter in Charleston, South Carolina. The simmering cauldron of the secession crisis had finally boiled over due to the election of Abraham Lincoln. Working and residing in Baltimore, Alice Gray would have been acutely aware of the anti-Lincoln and anti-war feeling that permeated the city. On April 19, 1861, a deadly riot occurred in Baltimore, causing the first hostile deaths in the Civil War. The Sixth Massachusetts Militia was passing through Baltimore on their way to Washington, D.C. when they found themselves surrounded by anti-war and pro-Confederacy sympathizers who called themselves the National Volunteers. After some tense moments, members of the National Volunteers attacked some of the members of the Militia with rocks, bricks, and pistols. In response, the Militia fired at the mob. A melee broke out and ended only after the Sixth Massachusetts Militia left behind most of their supplies and made it to Camden Station. In the end, four soldiers with the Militia and 12 civilians with the mob were killed.

Baltimore Riot 1861 Harper's

The pro-Southern residents of Baltimore used this event as propaganda, comparing it to the 1770 Boston Massacre that helped spur the American Revolutionary War. However, the pro-Northern public decried the violence and bloodshed caused by the rebels in Baltimore and demanded swift action against them. The federal government responded quickly and showed Baltimore and the rest of Maryland in no uncertain terms that it would not be allowed to foment insurrection like this again. In May of 1861, General Benjamin Butler entered Baltimore with about 1,000 soldiers, occupied the city and declared martial law.

All of these events were likely troubling to Alice Gray. Gray had lived most of her life in western New York, which was a largely anti-slavery region. Her home of Buffalo, New York was filled with safe houses for the Underground Railroad and was a common meeting place for abolitionist societies. It is unlikely that Gray shared the same pro-slavery sympathies as many of those she was surrounded by in Baltimore. John T. Ford was largely anti-Lincoln, though he would become more pragmatic as the war continued. In March of 1861 however, Ford seized upon the fact that Lincoln had to slip through Baltimore incognito on his way to his own inauguration for fear of physical harm. He included the scene in a patriotic piece called “Uncle Sam’s Magic Lantern” in which the audience was presented with several scenes of America’s gloried past, present, and future. “The Flight of Abraham” was included as a scene along with “Our National Troubles,” demonstrating Ford’s pro-Confederate sympathies. Alice Gray no doubt played her assigned role in these “patriotic scenes.”

It is perhaps for these reasons that, when the 1861-1862 season commenced, Alice Gray did not stay at the Holliday Street Theatre with John Ford. Instead she made her way to Philadelphia where she was employed at the Walnut Street Theatre. The 1861-1862 theatrical season was a lean one for the entertainment industry. Many of the big British stars decided against visiting the United States with the Civil War raging. Even some American actors, like Edwin Booth, left the country for European tours of their own during this year. Audiences were smaller as the news from the war occupied everyone’s thoughts. At the Walnut Street Theatre, Alice Gray once again performed with John Sleeper Clarke when the comedian was engaged there for three weeks straight. She received little press during her time at the Walnut Street Theatre. One quick mention described her as a “handsome young actress, who evidently has not very much stage experience.” Such a review must have hurt the 26 year old actress who had been acting on the stage for almost 10 years at that point. When Gray’s season with the Walnut Street Theatre ended she decided to try her luck somewhere else.

It was during Gray’s time in Philadelphia that John Ford had decided to invest in a new theater. Ford may have disliked Lincoln and the war but he was an astute business man. Washington, D.C. was a growing city during the war with thousands of soldiers and private citizens coming to the nation’s capital. Ford believed he could succeed in establishing a new theater in this growing metropolis. In December of 1861, Ford signed a five year lease on the First Baptist Church of Washington. The parishioners of the First Baptist Church had merged their congregation with another church and were no longer using the edifice on Tenth Street. The church already had a raised platform on which the pulpit and choir would be situated and so Ford realized that the building could be remodeled fairly inexpensively to serve as a theater. At first Ford rented the church to a minstrel group, but then, in February of 1862, he began a $10,000 renovation on the building. The building reopened on March 19, 1862 under the name “Ford’s Atheneum.” Ford’s renovations had been done quickly so as to preempt the reopening of another of Washington’s theater’s, Leonard Grover’s New National Theater, which completed its renovations on April 21st.

Ford's Atheneum 1862

Ford’s Atheneum proved a considerable success from the start. With his connections, Ford was able to attract first rate stars despite the war. The stationed soldiers and citizens of Washington proved devout theater goers. Even President and Mrs. Lincoln attended an operatic performance at Ford’s on May 28, 1862.

When the 1862-1863 theatrical season opened, Ford renamed the building “Ford’s New Theatre” and looked forward to another prosperous year. The theater opened with an engagement by John Sleeper Clarke and it’s possible that Ford missed his former leading actress. When Gray had departed for Philadelphia, Ford had replaced her at the Holliday Street Theatre with actress Annie Graham. Graham was brought down to Ford’s New Theatre for a few performances with John Sleeper Clarke, but it doesn’t seem like they had the same chemistry (or marketability) as Clarke and Gray once had. It appears that Ford reached out to Gray with an offer to be his leading stock actress again. Perhaps this time he promised she would act in his new D.C. theater and therefore not have to relive the unpleasant scenes in Baltimore.

Gray had spent the summer and fall months of 1862 up in Montreal, Canada. The Theatre Royal was famous for “importing” American talent during the summer months. This was also a wise way for American performers to keep a steady paycheck between seasons. Alice Gray played to good crowds but as fall gave way to winter, an engagement down in D.C. likely looked more hospitable to her.

Whether John T. Ford originally intended for Gray to perform at his new D.C. theater or whether he wanted her back at his Baltimore establishment we may never know for sure because on the evening of December 30, 1862, cruel fate made the decision for him. Under the stage of Ford’s New Theatre in D.C. a fire was started by a faulty gas meter. While there was no loss of life from the severe blaze that followed, the fire completely consumed the inside of the theater. Ford lost over $20,000 in the inferno but the outside walls of the theater survived. While other theater owners might have given up and left the capital, Ford decided to rebuild his theater and make it bigger and more grand than had ever been seen in D.C. before. Ford would spend the next eight months raising money for and constructed his new theater. In the mean time, at the Holliday Street Theatre in Baltimore, the show must go on.

Alice Gray made her return to the Holliday Street Theatre in January of 1863 with great fanfare in the press:
1863 Return to Baltimore 1 Alice Gray 1863 Return to Baltimore 2 Alice Gray 1863 Return to Baltimore 3 Alice Gray

Gray acted alongside John Sleeper Clarke again, with Ford highly advertising their partnership. In this way, Gray replaced her own replacement, Annie Graham, who was assigned smaller female roles when Gray came back. Gray and Clarke performed together at the Holliday Street Theatre throughout Clarke’s engagement which ended on February 14th. Clarke himself must have realized that he and Gray had good chemistry together. They had performed several long engagements with each other since 1860 and the results had been paying off in the box office. When Clarke went off to his next engagement in nearby D.C., he brought Alice Gray with him.

Clarke was scheduled to make his debut at the Washington Theatre on February 23, 1863. The Washington Theatre was a slightly rundown edifice that only had intermittent productions when there was a lessee. The building lacked a full time manager/owner and was instead leased out to different individuals who staged their own shows at their own expense. It was essentially a rental theater, and hardly a five star establishment. However, John T. Ford had proven with his Atheneum that theaters were a sound business in war-time Washington. With that establishment burnt, the only other theaters of note were Grover’s New National Theater, the Washington Theatre, and Grover’s Canterbury Hall – a far seedier establishment which only catered to men. Until Ford completed his construction on his new theater, the only real places to act in Washington were the New National Theater or the Washington Theatre.

On the Saturday before Clarke’s engagement began, the managers of the Washington Theatre gave Alice Gray a headlining performance of her own.

1863 Solo in Washington Alice Gray

This was Alice’s first appearance in D.C. and the papers did a nice job of advertising it:
1863 First time in Washington

Aside from her summer engagements in Cleveland and Montreal, this was Alice Gray’s first time being the “sole attraction” for a performance. For once she was not playing second fiddle to a visiting star or receiving the assistance of other stars for her benefit. To paraphrase Shakespeare’s Richard III, “She was herself alone.” Gray likely reveled this chance, even if it was only for one night. She had a good reputation in nearby Baltimore and a good solo performance here would help her establish herself as a star quality actor to the Washington public. The next day, Gray’s performance was described as a “decided sensation” but was sadly overshadowed by her anticipated debut with Clarke, who took much of the press. Clarke was scheduled to make his debut alongside Gray in Our American Cousin on February 23rd. However, when the curtain rose, Clarke was markedly absent. An advertisement in the next day’s newspaper announced that Gray would appear alongside a different comedian, C. B. Bishop, with the following note from the management:

“The Managers regret exceedingly the disappointment to their patrons last evening in not being able to present the popular Comedian, Mr. J. S. CLARKE, in his celebrated characters, and beg to assure them that the severe domestic affliction which compelled his absence will only defer his first appearance for a night or two.”

In all, Clarke would be absent from the stage until Thursday, February 26th. The “severe domestic affliction” that prevented Clarke from performing during that time was a death in the family. Mary Devlin Booth, the wife of Edwin Booth, died on the morning of February 21st. Clarke and his wife Asia (who, coincidentally, had never cared for Mary Devlin) rushed to Edwin’s side at his time of need. They were also joined by John Wilkes Booth, who had left his upcoming engagement in Philadelphia to be with his brother. Clarke and the rest of the Booth’s attended Mary’s funeral and burial at Mount Auburn Cemetery in Cambridge, Massachusetts.

Mary Devlin Booth, Edwin Booth's first wife

Mary Devlin Booth, wife of Edwin Booth

Alice Gray had continued to perform at the Washington Theatre without Clarke: “During Mr. Clarke’s temporary absence they have introduced a young and beautiful actress, Miss Alice Gray, who has made a decided sensation in every character she has appeared in.” When Clarke returned to town, he and Gray once again began their successful partnership. Clarke’s absence for a few days increased his appeal and so Clarke and Gray performed to full houses for the rest of his engagement. However, when Clarke left for his next engagement in Philadelphia in mid March, Gray did not join him. Instead, she returned to Ford’s Holliday Street Theatre to act alongside a new member of the Booth family. This young, handsome actor would make an indelible mark on Alice Gray and, in a couple years, would alter the course of American history.


This concludes part two of the series about Alice Gray’s life, career and connection to the Booth family. The third installment, “Alice Gray and John Wilkes Booth,” will be posted soon.

References:
Backstage at the Lincoln Assassination by Thomas Bogar
Additional research graciously provided by Thomas Bogar
Restoration of Ford’s Theatre by George J. Olszewski
American Tragedian: The Life of Edwin Booth by Dr. Daniel Watermeier
Edwin Booth: A Biography and Performance History by Arthur Bloom
John Wilkes Booth: Day by Day by Arthur Loux
Images of America: Ford’s Theatre by Brian Anderson for the Ford’s Theatre Society
Ford’s Theatre Society
Ancestry.com
Library of Congress
Newspaper extracts from: University of Illinois (free), FultonHistory.com (free), GenealogyBank.com (subscription)

Categories: History | Tags: , , , , , , , , , | 11 Comments

Alice Gray: An Actress is Born

As John Wilkes Booth was running from the authorities after assassinating President Abraham Lincoln, he carried with him a total of five carte-de-visite photographs. These photographs were placed safely in a wallet like pocket of Booth’s diary as he struggled through swamp and stream, darkness and dawn, for 12 long days. When Booth was finally cornered and killed on April 26, 1865, these photographs were removed from his dying body. A previous post highlighted how the process of identifying these ladies was a slow one that did not even commence until several years after the assassination. In the end, the women of Booth’s wallet were determined to be Lucy Hale, his fiancée, and four actress friends, Effie Germon, Helen Western, Fanny Brown, and Alice Gray.

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Though these actresses were each talented and respected during their careers, they have largely become footnotes to history. Their photographic presence on the body of the assassin has become the defining moment of their entire lives. For one of these actresses in particular, very little exists about her life outside of John Wilkes Booth. While Fanny Brown may have been dubbed “The Mysterious Beauty,” the truly mysterious and unknown beauty in Booth’s possession was Alice Gray.

While there is some biographical information readily available about Effie Germon, Helen Western, and Fanny Brown, the fourth actress in Booth’s pocket is a bit more elusive. The Lincoln Financial Foundation Collection, which contains copies of Booth’s CDVs, had this to say about Alice Gray when they highlighted the photographs in a post on their blog:

“Little is known about Alice Grey.  In 1858 she toured with Barry Sullivan and performed at the Walnut Street Theatre in Philadelphia in the early 1860s.  She appeared as Juliet opposite John Wilkes Booth as Romeo in Baltimore in 1863.  By 1865, she was a leading lady in the company at Ford’s Theatre in Washington, where she again played opposite Booth in a production of The Apostate on March 18.  She was not at the theater the night of Lincoln’s assassination.”

With so little known about Alice Gray, an in depth search was enacted to discover more about the life and career of this forgotten lady.  The following biographical sketch was developed by consulting a variety of sources including digitized newspapers such as the Buffalo Courier, Baltimore Sun, New York Clipper and D.C.’s National Intelligencer. Further information was discovered using creative searches on Ancestry.com and in cemetery records. In all, it took several days’ worth of work to find and organize the material. This post is the first in a series about Alice Grey’s life, career, and connection to the Booth family. To read part two, Successful Partnerships click HERE.

Alice Gray

Part One: An Actress is Born

In order to find out about Alice Gray’s beginning, it was first necessary to look at her end. Initially, the only information found about her birth came from her later obituaries.  According to most of the obituaries, Alice Gray was born in Boston in 1833 to Irish parents. The more detailed obituaries also stated that she commenced her acting career when she was 16 years old by performing in the Federal Street Theatre in Boston. Numerous genealogical searches were conducted with this information to try and find out more about Alice Gray’s family. All were fruitless until one final obituary contained the partially blurred name of a brother in Cincinnati. The brother’s true name was discovered by searching an old Cincinnati directory, which led to his burial record, which gave the incorrect name of his father (which wasted a lot of time looking for and led me back dejectedly to the brother’s burial record) and correct name of his mother, which led me to Alice’s mother, which led me to the true identity of Alice Gray.

Alice Gray’s true name was Alice Dehan. According to census records, she was born in New York between June 16 – July 31, 1835. Her parents were Patrick and Ann Dehan who were both immigrants from Ireland.

1850 Census Alice Gray

I have been unable to find a record of the family living in Boston, but in the 1870 census Alice’s brother John gives his birthplace as Boston. This is a contradiction to the 1850 and 1860 censuses which give his birthplace as New York, however. If the family did live in Boston, it was for a short time. By 1850, the family was living in Livingston County, New York, near Buffalo. Alice’s father, Patrick, was a laborer and likely worked on the expansion of the Erie Canal. Patrick died sometime between 1850 and 1860, leaving his wife and two children without a means of support. It appears that it was after the death of her father that Alice, then around 16 years of age, began her career as an actress. She chose the stage name of Alice Gray and would be billed as such for the rest of life.

Metropolitan Theater advertisement 1855Since her family had settled near Buffalo, NY, it was appropriate for Alice to commence her career in that city. She was able to acquire a position at the recently opened Metropolitan Theatre.

A theater historian in Buffalo later recalled, “When she came to the Metropolitan Theatre in 1851 or ’52, she could neither read nor write, but she was naturally bright and advanced rapidly.” Alice must have started with minor roles as her name did not receive billing very often in the early years. If she was learning the craft it is likely that she merely acted in walk on roles and silent characters. It was not until 1854, that Alice’s name began to make appearances in the advertisements for the Metropolitan Theatre performances. Over the next few years she stayed at the Metropolitan, honing her craft and receiving larger and larger roles. In 1856 she met and acted alongside a visiting star named Mr. Edward Eddy. Though Eddy’s engagement at the Metropolitan was short, Gray made an impression on him. In the upcoming years, Eddy would keep in touch with Gray and provide her with further acting opportunities. By 1857, Alice Gray had graduated to the main stock actress for the Metropolitan Theatre, in which she was responsible for playing the leading female roles opposite the visiting stars.Edwin Booth circa 1860

In November of 1857, a young, 24 year-old star billed as, “The Wonder of the Age” made his first appearance at the Metropolitan Theatre. The noted star who was greeted with such fan fare was Edwin Booth. Though the weather was poor during Booth’s time in Buffalo, the theater was packed every night. This was not only good for Edwin, but also for Alice Gray who ably played alongside Booth as his female counterpart. The increased crowd at the Metropolitan allowed more of Buffalo’s theater patrons to see how much Alice Gray’s abilities had progressed over the last few years. These performances with a member off the Booth family would be the first of many for Alice Gray. In a few short years she would become extremely familiar with practically all acting members of the Booth family.

After Edwin departed Buffalo, the very next performance at the Metropolitan Theatre was a benefit in Alice Gray’s honor. Her performances with Edwin had clearly garnered her some more attention. The newspapers, in describing her benefit, gave kind, but realistic descriptions of Gray’s abilities:

“…the merit of of Miss Gray as an actress deserves to be substantially recognized. The steady improvement she has made since her first appearance in Buffalo, is acknowledged by all. She personates the leading female characters acceptably; is uniformly accurate in the text, and evinces care and study in the business of the stage. Her many friends should encourage and reward her efforts by their presence this evening.”

Gray was undoubtedly becoming a better actress, but had not yet achieved the talent of a star. She continued with the Metropolitan Theatre for the remainder of the 1857-1858 season with a small break in March of 1858 where she performed briefly at the Bowery Theatre in New York City. At that time, the Bowery Theatre was being leased by her friend Edward Eddy. The chance to act in New York City and possibly become a star performer on those elite stages was the dream of many actresses. While Alice Gray acted ably alongside Eddy and even received a benefit in her honor one night, once Eddy was finished leasing out the Bowery Theatre, Gray’s first foray in New York City was over.  While she had not been “discovered” by the New York City patrons, this experience would help her in the future. She returned home to Buffalo.

When the theatrical season of 1858-1859 was advertised, Alice Gray was given top billing as the leading lady of the Metropolitan Theatre once more. However, when the season debuted on September 20, 1858 and Gray took the stage for the first time as Lady Teazle in School for Scandal, she found herself faced with an agitated audience:

1858 Hissed from the stage Alice Gray

Gray must have been traumatized by this sudden betrayal of the audience. The same people who had supported her growth over the last few years were now hissing her from the stage. A newspaper from a few days later explained the reason:

1858 reason for hiss Alice Gray

As reported, Alice Gray had apparently made some enemies in the Buffalo theatrical world. The business then was just as cut-throat as it is today (if not more so). Perhaps the other actresses were jealous of Gray’s recent debut in New York City due to the generosity and assistance of Edward Eddy. Whatever the reason, the scheme against Alice Gray worked as planned. Whether by her own choice or the decision of the manager, Gray did not appear at the Metropolitan Theatre for the rest of the 1858 season. Coincidentally, she was replaced at first with “Mrs. J. B. Booth”. This was Clementina DeBar Booth, the first wife of Junius Brutus Booth, Jr. Though Mr. and Mrs. Booth were divorced due to Junius running off to California with another woman in 1851, Clementina kept the name and used it professionally. Not long after this, the gossip reported in the above article came to fruition when the manager of the Metropolitan Theatre had his own wife take over some of the main female roles.

After being shunned from the Metropolitan Theatre, Alice Gray made her way back to New York City, where she had briefly performed in March. At that point, her friend Edward Eddy had leased the Broadway Theatre for the season. Though the season had already begun and Eddy already had his stock company, he hired Alice Gray. She acted at the Broadway Theatre with the rest of the stock actors until the end of the season. She received very little press during her time at the Broadway Theatre and without good press and attention, it was practically impossible for a supernumerary to make it as a star. During the next season, Alice began to travel outside her home state of New York, perhaps hoping that good word of mouth from audiences in smaller cities would help her establish herself the next time she acted in New York City.

The beginning of the 1859 season found Alice in Charleston, South Carolina. She was the lead stock actress for the Charleston Theatre, an establishment which promised its public a diverse selection of entertainment. The theatrical portion of the season only lasted until November 12, 1859, which was a benefit performance for Henry B. Phillips, a Charleston native. Phillips was a well known actor who had toured the eastern states. He was also known for helping to coach novice actors and teach them the proper points and recitations.  In a few short years, H.B. Phillips would be hired by John T. Ford to be the acting manager of Ford’s Theatre in Washington, D.C. In that capacity, Phillips sole job would be to train inexperienced actors on how not to make fools of themselves. For his benefit performance, Phillips choose two pieces, The Poor Gentleman, in which Alice Gray was billed as his leading lady, and the very popular comedy of the day, Our American Cousin. This would be Alice Gray’s first experience with the play, Our American Cousin, but, due to the events connected with it in the future, this performance would hardly be the most memorable. After the Phillips’ benefit in Charleston, the whole theatrical company traveled to Mobile, Alabama. In the mean time, the Charleston Theatre opened to an opera troupe while advertising its next, diverse entertainment offering to the public, stating that a “troupe of learned monkeys, goats, and dogs, will present themselves,” in the week to come.

Alice Gray found a welcoming audience in Mobile and her abilities were praised when she was given a benefit performance there:

1860 Nice review Alice Gray

The company stayed in Mobile until late March of 1860, when the Charleston Theatre reopened (hopefully after they cleaned up the mess from the “learned” monkeys, goats, and dogs) for theatrical events.  The headlining star for the reopening was none other than Edwin Booth. Though there were no advertisements billing him as the “The Wonder of the Age” as there were in Buffalo more than two years ago, he was nevertheless warmly welcomed by the Charleston public. Booth played at the Charleston Theatre until April 4th, likely teaming up once again with Alice Gray as his leading lady. Not long after his departure, however, Alice became sick. An article in the April 14th edition of the New York Clipper reported that Alice had “been quite ill” and “confined to her room for more than a week”. She recovered from her illness and finished up the rest of the season in Charleston but this would not be the first time that illness and other personal matters would preclude Alice from performing.

During the summer of 1860, Alice Gray made extra money by taking a little more than a week long summer engagement at Cleveland’s Academy of Music. For most performers, summers were the dry times. Most theaters closed down or engaged cheaper entertainments for the few patrons who would visit during the hot months. The few theaters that did engage actors at this time, however, generally did a wonderful job advertising them. Alice Gray received star billing in the Cleveland newspapers for her brief run with her name in the largest type size that she would ever see in her career:

1860 Star billing Alice Gray

As Alice Gray performed as a star in Cleveland, back home in Buffalo the census taker was knocking at her mother’s door for the 1860 census. Despite her almost year long absence in the South and Midwest, Alice’s mother included her daughter as a member of the household. Ann Dehan gave the census taker her daughter’s real name, Alice Dehan, and set in stone what she was going to be for the rest of her life: a “Theater Actress”.

1860 Census Alice Gray


This concludes part one of the series about Alice Gray’s life, career and connection to the Booth family. To read the second installment, “Successful Partnerships,” click HERE.

References:
Backstage at the Lincoln Assassination by Thomas Bogar
Additional research graciously provided by Thomas Bogar
American Tragedian: The Life of Edwin Booth by Dr. Daniel Watermeier
Edwin Booth: A Biography and Performance History by Arthur Bloom
John Wilkes Booth: Day by Day by Arthur Loux
Images of America: Ford’s Theatre by Brian Anderson for the Ford’s Theatre Society
Ford’s Theatre Society
Ancestry.com
Library of Congress
Newspaper extracts from: University of Illinois (free), FultonHistory.com (free), GenealogyBank.com (subscription)

Categories: History | Tags: , , , , , , , , , | 9 Comments

What’s Missing? Episode 2

Once again it’s time to test your Boothie knowledge, resourcefulness, and observational skills with a game called, What’s Missing?

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Below you will find 20 images all related in some way to the Lincoln assassination story. Most of them have previously appeared on this website, either in the Picture Galleries or in one of the many posts. Your job is to look at the images carefully to see if you can determine “What’s Missing?” from the image. You can click on each image to enlarge it a bit and get a better look. When you’re stumped, or ready to check your answer, click on the “Answer” button below each image. Good luck!

What’s Missing A:

What's Missing A

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What’s Missing B:

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What’s Missing C:

What's Missing C

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What’s Missing D:

What's Missing D

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What’s Missing E:

What's Missing E

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What’s Missing F:

What's Missing F

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What’s Missing G:

What's Missing G

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What’s Missing H:

What's Missing H

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What’s Missing I:

What's Missing I

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What’s Missing J:

What's Missing J

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What’s Missing K:

What's Missing K

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What’s Missing L:

What's Missing L

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What’s Missing M:

What's Missing M

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What’s Missing N:

What's Missing N

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What’s Missing O:

What's Missing O

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What’s Missing P:

What's Missing P

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What’s Missing Q:

What's Missing Q

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What’s Missing R:

What's Missing R

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What’s Missing S:

What's Missing S

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What’s Missing T:

What's Missing T

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So how did you do? Let us know in the comments section below.

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An Assassination Vacation in the Midwest

I am visiting my family here in Illinois and decided to use the opportunity to make use of the newly updated Lincoln assassination maps here on BoothieBarn.  I planned and executed a two day excursion to visit some of the sites on the Lincoln Assassination in the Midwest map.  The following is an overview of my trip composed using the tweets I sent out en route along with a couple of short videos I made.

While the trip mainly consisted of two long days of driving, I enjoyed myself and it was a lot of fun to see so many Lincoln assassination places, graves, and artifacts all at once.  Thank you to the Historical Society of Quincy and Adams County, Mr. Blair Tarr, curator of the Kansas State Historical Society Museum, Nikaela Zimmerman, Barry Cauchon, and Steve Miller for all your help in making this trip possible.  Also, thank you to my parents for letting me use (and put a considerable number of miles on) their car.

Now you all get out there, take your own assassination vacation, and tell me about it in the comments below!

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The 4th of July at Port Royal

Port Royal Event 7-4-2015

Every year for the past 16 years, Port Royal, Virginia has put on a celebratory Independence Day event.  The day is filled with musicians, Revolutionary and Civil War reenactors, speakers, 18th century dancers, bagpipers, and a formal reading of the Declaration of Independence. It is a wonder annual program and a great way to spend part of the 4th.  Here are a few pictures that I managed to take of the event:

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This year, I had the honor of being asked to give a short speech.  Knowing my interest in the Lincoln assassination story, my fellow board members of Historic Port Royal asked me to speak on the topic of John Wilkes Booth.  I heartily agreed.  Later on though, as I was trying to prepare for my speech, I had a hard time reconciling the discussion of a Presidential assassin on the day of our country’s birth.  So, rather than discussing John Wilkes Booth, I decided to present a more Revolutionary tale.  Below is a video of the speech I presented.

I wish you all a very happy Independence Day.

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Calendar: May 2015

I hope you were all able to take part in some of the April events that commemorated the 150th anniversary of the assassination of Abraham Lincoln, the escape, and subsequent death of his assassin, John Wilkes Booth. Even though most of the big events have passed, there are still some programs and exhibitions going on in the month of May.  May 9th, in particular, has two very exciting events planned. Take a look at the events below and be sure to visit the Calendar section of this site for a full list.

May 1st – 4th:

Lincoln Funeral Train Weekend in Springfield, Illinois

  • Those of you in the central Illinois region will definitely want to make plans to visit the state capital.  Springfield is going all out with events and activities recreating the arrival of Lincoln’s Funeral Train.  For more information and a list of the many events planned, click here.

May 4th:

Brian Unger show

“Lincoln’s Killer on the Run” episode of Time Traveling with Brian Unger debuts on the Travel Channel

  • How the States Got Their Shape host, Brian Unger has a new show taking unsuspecting tourists to lesser visited historic sites.  On May 4th, at 10:00 pm EST, a new episode dealing with John Wilkes Booth is set to air.  Unger will take a group into a Maryland pine thicket (my doesn’t that sound familiar…), row across the Potomac, and visit the site of the conspirator’s execution.  For other dates and times of airings, click here.

May 9th:

2015 Tudor Hall Symposium Graphic

Tudor Hall, the Booths of Maryland and the Civil War Symposium in Bel Air, Maryland

  • The Junius B. Booth Society (JBBS) and the Historical Society of Harford County (HSHC) are holding a one day, one-of-a kind symposium titled Tudor Hall, the Booths of Maryland and the Civil War from 8:00 AM to 4:45 PM at the Bel Air Armory in Bel Air, MD. Tudor Hall, the home of the theatrical Booths of Maryland, a short distance away will be open to the attendees following the symposium for tours till 7 PM.  This is a fundraiser and the proceeds will be split between JBBS and HSHC. All proceeds to JBBS will be used for turning Tudor Hall into a museum. For more information and for directions on how to register for the symposium, click here.

150th Anniversary of the Trial of the Conspirators at Fort McNair in Washington, D.C.

  • Fort Lesley J. McNair in Washington, D.C. contains Grant Hall, the site of the trial and execution of the Lincoln conspirators.  To mark the 150th anniversary of the start of the trial, Fort McNair will be having a very special event. Historians and authors, including Betty Ownsbey, Barry Cauchon, and John Elliott, will be presenting on the imprisonment, trial, and execution of the Lincoln conspirators.  Since Fort McNair is expecting higher than average visitation on this day, those wishing to participate in the programs need to RSVP for their desired hour of programming.  For more information, including the links of how to register to visit, click here.

May 17th:

Ann Hall's Grave

“The Loyal Servants of the Booths: Joe and Ann Hall” presented by Jim Chrismer at the Booth family home of Tudor Hall in Bel Air, Maryland

  • Harford County Historian Jim Chrismer will present at 2:00 pm about the Booth family servants Joe and Ann Hall.  Ann Hall is buried not far from Tudor Hall. For more information, click here.

May 21st:

“Forensics of the Lincoln Assassination” presented by Douglas H. Boxler at the Lew Wallace Study in Crawfordsville, Indiana

  • Speaker Douglas Boxler used a Derringer pistol and a “Spatter Head” that simulates the structure of the human cranium to conduct research on his talk about the “Forensics of Lincoln’s Assassination”. Visit the home of Lew Wallace, a member of the military commission that tried the Lincoln conspirators at 7:00pm to watch his speech.  The Wallace Study also does a wonderful job live tweeting their lectures.  For more information, click here.

May 29th:

Silent Witnesses” Ends at Ford’s Theatre in Washington, D.C.

  • This day marks the end of special exhibit, “Silent Witnesses“, at Ford’s Theatre.  Make sure to visit Ford’s on or before this date to make sure you see these unique treasures before they go back to their home museums:

paine

Alias “Paine”: A Book Lecture by Betty Ownsbey at the Seward House Museum in Auburn, New York

May 31st:

“The Loyal Servants of the Booths: Joe and Ann Hall” presented by Jim Chrismer at the Booth family home of Tudor Hall in Bel Air, Maryland

  • Deja vu? Jim Chrismer will repeat his May 17th program about the Halls at Tudor Hall. For more information, click here.

Ongoing Events/Exhibits:

Undying Words: Lincoln 1858 – 1865 at the Abraham Lincoln Presidential Library and Museum in Springfield, IL
A Fiendish Assassination at the Abraham Lincoln Presidential Library and Museum in Springfield, IL
Remembering Lincoln at the Illinois State Museum in Springfield, IL (ends May 10th)
Now He Belongs to the Ages at the Lincoln Heritage Museum in Lincoln, IL
A Nation in Tears: 150 Years after Lincoln’s Death at the University of Illinois’ Rare Book and Manuscript Library in Champaign-Urbana, IL (ends May 4th)
So Costly a Sacrifice: Lincoln and Loss at the Indiana State Museum in Indianapolis, IN
Autopsy for a Nation: The Death of Abraham Lincoln at the Fenimore Art Museum in Cooperstown, NY
The Attempted Assassination of William Seward at the Seward House in Auburn, NY (ends June 1st)
Shooting Lincoln at the Chrysler Museum of Art in Norfolk, VA
His Wound is Mortal: The Final Hours of President Abraham Lincoln at the National Museum of Health and Medicine in Silver Spring, Maryland
President Lincoln Is Dead: The New York Herald Reports the Assassination at the Newseum in Washington, D.C.
Silent Witnesses: Artifacts of the Lincoln Assassination at Ford’s Theatre in Washington, D.C. (ends May 29th)
The Full Story: Maryland, The Surratts, and the Crime of the Century at the Surratt House Museum in Clinton, MD
Remembering Lincoln a digital archives project by Ford’s Theatre
History on Foot: Detective McDevitt is a great walking tour of D.C. put on by Ford’s Theatre of some of the sites associated with Lincoln’s assassination:

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