Posts Tagged With: Museums

General Lew Wallace Study & Museum

In the city of Crawfordsville, Indiana, surrounded by modern houses, well kept yards, and the friendly people that the rural Midwest breeds, there lies a a building and museum dedicated to a man who lived a fascinating and multifaceted life.  His name was Lew Wallace and he lived from 1827 to 1905.

Gen Lew Wallace NARA

Wallace achieved early fame by becoming the youngest Major General in the Union Army during the Civil War.  His valiant command at the Battle of Monocacy, while a loss for the Union, delayed Confederate General Jubal Early’s forces long enough for the proper reinforcements to arrive in Washington D.C., which later prevented Early from taking the nation’s capital.  Following the Civil War, Lew Wallace was appointed the Governor of the New Mexico Territory, and then the U.S. Minister to Turkey.  In Turkey, Wallace broke traditional social customs and diplomatic protocol by asking to shake hands with Sultan Abdul Hamid II.  Surprisingly the Sultan consented and from this unique start blossomed a mutual respect and friendship between the two men.  Wallace was an avid reader, fisherman, painter, and would-be inventor.

As remarkable as these accomplishments are, however, Wallace’s great fame comes from his literary contributions.  One of his books, in particular, made him a household name in the 19th century and granted him immense wealth and prestige.  The book has been adapted for the stage, radio, television, and four motion pictures, the most famous being Charlton Heston’s 1959 version.  This book is Ben-Hur: A Tale of the Christ.  It was the best selling American novel from its publication in 1880 until 1936, when it was replaced by Gone With the Wind.  To date, Ben-Hur has never been out of print.

Lew Wallace wrote much of Ben-Hur while sitting under a tree at his Crawfordsville home.  After its success, Wallace decided to build himself a study, away from his main house, in which he could write, research, and tinker with his other interests.  The study took three years to build and was completed in 1898.  Today, the study is a museum relating to the life of Lew Wallace, the solider, diplomat, and author:

Lew Wallace Study 1

The exterior of the study is a mixture of different architectural styles, many gleamed from Wallace’s time in Turkey.  The interior of the study is basically one large room with a fireplace alcove, a small room to the side in which Wallace would nap, and a set of stairs which leads down to the basement which held the furnace, bathroom, and electrical system in Wallace’s day.  To use a colloquialism, this study was Wallace’s “man cave”.  It was the home of Wallace’s many passions and hobbies.  There are shelves all around the room containing his huge collection of books and research materials that he used in his writing.  The walls are covered with paintings he owned and ones he painted himself.  There are cases for his hunting and fishing gear and his other experimental hobbies like sculpting and violin making.

Interior Lew Wallace Study 3

Books and paintings on one wall of the Lew Wallace Study in Crawfordsville, Indiana. The painting on the left was painted by Lew Wallace himself and the center painting was a gift to him from the Sultan of Turkey.

Interior Lew Wallace Study 1

Interior Lew Wallace Study 2

The chair closest to the fireplace was the chair in which Lew Wallace wrote much of Ben-Hur in.

While Lew Wallace may be best known for Ben-Hur, he also was involved in the Lincoln assassination story.  General Wallace was one of the nine members of the military commission which tried the Lincoln assassination conspirators:

Part of the military commission which tried the Lincoln conspirators.  Lew Wallace is seated, second from the right. NARA

Part of the military commission which tried the Lincoln conspirators. Lew Wallace is seated, second from the right. NARA

During the trial, Wallace passed the time by making sketches of all the Lincoln conspirators (except Mrs. Surratt).  Those sketches, which show a great degree of talent, are now housed at the Indiana Historical Society, but are reproduced below:

Wallace would later use these sketches as models for a painting.  That painting, known as “The Conspirators”, but actually unnamed and unsigned by Wallace is housed in the study:

The Conspirators in the Lew Wallace Study 3

In addition to the conspirators he made life sketches of during the trial, Lew Wallace also included depictions of John Wilkes Booth and John Surratt.  The painting is said to be of the conspirators present at Abraham Lincoln’s second inauguration.  While Booth was present at the inauguration, it is unlikely any of the others were.

The Conspirators in the Lew Wallace Study Labeled

It is a very large painting, measuring 60″ by 66.5″.  It dwarfs over all the other works of art in the study.

The Conspirators in the Lew Wallace Study 1

In Wallace’s time, he had the painting displayed on an easel in a corner of the room.  Due to concerns for its safety, the study currently puts it up and out of reach.

Study during Wallace's day

This photograph of Lew Wallace’s study during his life, shows the painting of the conspirators with a prominent place on an easel.

Over the years, the painting of the conspirators has darkened.  General Wallace likely contributed to this due to his avid smoking habit.  The study hopes to restore the painting, along with some of the ornate designs on the interior of the study.

If you’re in the area of Crawfordsville, Indiana, a stop at the General Lew Wallace Study & Museum is definitely worth it.  For $5 admission you are presented with an introductory video about Lew Wallace’s life and then are given a personalized tour of the study by one of the knowledgeable  guides.  You are also free to roam around the grounds and visitor center free of charge.  The study also has brochures giving directions to Lew Wallace’s grave which is only 3 or so miles from the study.

Lew Wallace Grave 1

It appears to be the tallest monument in the whole cemetery and the top of the obelisk is carved to look like there is a flag draped on it.

Lew Wallace Grave 3

Lew Wallace lived a unique life and his former study in Crawfordsville does a great job of educating its visitors about his accomplishments and legacy.  For more information, visit their website: http://www.ben-hur.com

Lew Wallace Grave 2

References:
Thanks to the participants of Roger Norton’s Lincoln Discussion Symposium from whom I first learned of this museum and decided to visit.
General Lew Wallace Study & Museum
Indiana Historical Society

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John Wilkes Booth’s Vertebrae

Not long ago, I visited the National Museum of Health and Medicine in Silver Spring, Maryland.  I wrote a post for this site which highlighted the connection between the museum (which at one time was called the Army Medical Museum and housed inside of Ford’s Theatre) and the assassination story, including the assassination related artifacts contained in the museum.  You can read that article by clicking HERE.  There were a couple of items that I was very interested in seeing, but they were not on display during my initial visit.  I made a return trip to the NMHM, having secured a research appointment to see some artifacts in storage there.  The artifacts I saw consisted of John Wilkes Booth’s third, fourth, and fifth cervical vertebrae, along with a piece of his spinal cord and tissue:

John Wilkes Booth Vertebrae and Spinal Cord

John Wilkes Booth's vertebrae 5

John Wilkes Booth's vertebrae 3

John Wilkes Booth's vertebrae 2

John Wilkes Booth's vertebrae 4

John Wilkes Booth's Spinal Cord 1

John Wilkes Booth's Spinal Cord 2

These pieces were removed from John Wilkes Booth during his autopsy aboard the USS Montauk.  The autopsy was preformed by Surgeon General Joseph K. Barnes and Dr. Janiver Woodward on April 27.  Two days later, on April 29, Dr. Barnes donated these pieces of Booth to the Army Medical Museum.  Here is some paperwork that went along with them:

Booth vertebrae paperwork

Description of Booth's Vertebrae

For convenience, here’s a transcript of the autopsy report written by Surgeon General Barnes.  The original is in the National Archives.

“Surgeon General’s Office
Washington City, D.C.
April 27th, 1865
Hon: E.M. Stanton
Secretary of War
Sir,

I have the honor to report that in compliance with your orders, assisted by Dr. Woodward, USA, I made at 2 pm this day, a postmortem examination of the body of J. Wilkes Booth, lying on board the Monitor Montauk off the Navy Yard.

The left leg and foot were encased in an appliance of splints and bandages, upon the removal of which, a fracture of the fibula (small bone of the leg) 3 inches above the ankle joint, accompanied by considerable ecchymosis, was discovered.

The cause of death was a gun shot wound in the neck – the ball entering just behind the sterno-cleido muscle – 2-1/2 inches above the clavicle – passing through the bony bridge of fourth and fifth cervical vertebrae – severing the spinal chord and passing out through the body of the sterno-cleido of the right side, 3 inches above the clavicle.

Paralysis of the entire body was immediate, and all the horrors of consciousness of suffering and death must have been present to the assassin during the two hours he lingered.

Very respectfully
Your obt servt.
J. K. Barnes
Surgeon General”

Those with medical expertise might have noticed that Booth’s vertebrae don’t look quite right. That is because, at some point after the 1950’s or so, the specimen broke. A piece of the fourth cervical vertebra broke off and it is likely that even when it was improperly repaired, a piece was still missing.

John Wilkes Booth's broken vetebrae

Here are two other pictures, one which shows the vertebrae before the break occurred and how it appears today for comparison.  Unfortunately, the angles are not the same between the two pictures:

John Wilkes Booth Vertebrae pre-break

John Wilkes Booth's vertebrae 1

While the National Museum of Health and Medicine expertly safeguards the artifact in order to prevent any future damage, there are those who are determined to destroy it further.  The advocates of this are the misguided escape theorists who believe that John Wilkes Booth did not die on April 26, 1865 and, instead, believe an impractical conspiracy was expertly enacted by “the government”.  Most of them have fallen for Finis Bates’ book and mummy sideshow which, while interesting in their own rights, are easily disproved.  Still, certain forces continually seek to gain approval from the NMHM to “sample” (i.e. drill a piece out of) the vertebrae in an attempt to extract DNA from it.  From there they hope to commit an even bigger moral crime  by exhuming the body of Edwin Booth, the greatest actor of the 19th century, in order to get a sample from him to compare the two.  To me, the proposed exhumation of Edwin, a man who suffered immense tragedy due to his brother’s crime and for the rest of his days was plagued with guilt and melancholy, is nothing short of morally reprehensible.  Desecrating the final resting place of the greatest Hamlet of all time just to appease those who refuse to acknowledge the mountain of evidence against them, is even worse than the destruction of this priceless artifact.  Even so, vertebrae are not good candidates for DNA extraction due to the type of bone desired for such an analysis.  In order to get a viable DNA sample, one cannot simply chip off a small piece from the side, but, instead, would need to drill into the thickest part of the vertebrae a good distance, causing severe damage to the specimen.  Luckily the National Museum for Health and Medicine understands this fully and continues to refuse any proposals that would place this artifact at risk, even when the escape theorists try to get their congressmen involved.  One of the more recent attempts occurred last year and was covered by newspapers and online articles which tricked unknowing individuals into thinking the case had merit.  Did people claim to have seen, or even been, John Wilkes Booth after his death in April of 1865? Of course, but people have also claimed to have seen (or been) Louis XVII, Elvis and even Adolf Hitler long after their deaths.  The John Wilkes Booth escape theory is an interesting sidebar, a form of pseudo-history as it were, that can be studied and enjoyed as the fanciful story it is.  However, when people actually start believing this pseudo-history and attempt to desecrate the grave of an innocent man or destroy a one-of-a-kind artifact in our nation’s museums, they are not to be humored any longer.

According to the National Museum of Health and Medicine they are not expecting to put the Booth items on display any time in the near future.  They remain in storage, in a drawer close to the near complete skeleton (and brain) of Charles Guiteau, the assassin of President James Garfield:

Charles Guiteau's skeleton NMHM

Charles Guiteau's brain NMHM

References:
National Museum of Health and Medicine
The Body in the Barn: The Controversy Over the Death of John Wilkes Booth by the Surratt Society 

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The National Museum of Health and Medicine and the Lincoln Assassination

The National Museum of Health and Medicine is a medical museum located in Silver Spring, Maryland.  The museum has a long history and was originally founded during the Civil War as the Army Medical Museum.  Its original purpose was to be a repository for, “all specimens of morbid anatomy, surgical or medical, which may be regarded as valuable; together with projectiles and foreign bodies removed, and such other matters as may prove of interest in the study of military medicine or surgery.” Since its founding to today, the museum has amassed a collection of nearly 25 million medical artifacts.  Though less than 1% of the collection is on display at the Silver Spring facility due to space constraints, the museum is, nevertheless, filled to the brim.  Walking into the museum, guests quickly come face to face with medical oddities and fascinating exhibits.  A wonderful museum in its own right, the NMHM has also become intimately connected with the story Lincoln’s assassination through the years.

A Place to Rest My Bones

Having been founded during the Civil War, the collection grew rapidly during its first few years as surgeons on the field of battle began sending in specimens.  By 1866, the museum was on its third home in Washington, D.C. and required even more space.  Luckily for them, on April 6, 1866, an Act of Congress was passed providing for the purchase of a building “for the deposit and safekeeping of documentary papers relative to the soldiers of the army of the United States and of the Museum of the Medical and Surgical Department of the Army.”  The chosen building was Ford’s Theatre the site of Abraham Lincoln’s assassination almost a year before.

Ford's Theatre Army Medical Museum Label

The building was closed down by the U.S. government in the aftermath of the assassination.  Though the building was returned to John T. Ford for a time, public outcry and threats to burn the building if it was once again opened as a theater forced the government to seize the building permanently.  At first they rented it from Ford before buying it straight out thanks to the approval of the above mentioned Act of Congress.  The interior of the building was remodeled from a theater into a three story office building.  On December 22, 1866, the top floor of Ford’s Theatre officially became the Army Medical Museum’s fourth home.

Here are some pictures of the interior of the Army Medical Museum when it was held on the third floor of Ford’s Theatre.  Most of these come from the blog “A Repository for Bottled Monsters” which is written by a former archivist of the museum:

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By 1887, the museum had once again outgrown its surroundings and moved into a building made solely for its purpose. This brought an end to the Army Medical Museum’s occupation of Ford’s Theatre. In hindsight the move in 1887 proved lucky. Six years later, in 1893, poor workmanship by a crew excavating in the basement of Ford’s caused a structural pier to give way, causing a 40 foot section of all three floors to come crashing down, killing over 20 government clerks and wounding many others.

Booth’s Spine Tingling Return

When it was housed inside Ford’s Theatre, the Army Medical Museum was a popular tourist destination in Washington. The museum saw about 40,000 visitors in 1881 alone.  In 1873, a book was published called, Ten Years in Washington: Life and Scenes in the National Capital as a Woman Sees Them by Mary Clemmer Ames.  In her book, Ms. Ames described a visit to the Army Medical Museum and points out the many oddities on display.  The book also contains this engraving of the museum inside of Ford’s:

Army Medical Museum in Ford's Theatre engraving 1873

As part of her description of some of the artifacts, Ms. Ames states the following:

“Amid the thousands of mounted specimens in glass cases, which reveal the freaks of bullets and cannon-shot, we come to one which would scarcely arrest the attention of a casual observer. It is simply three human vertebra mounted on a stand and numbered 4,086. Beside it hangs a glass phial, marked 4,087, filled with alcohol, in which floats a nebulse of white matter. The official catalogue contains the following records of these apparently uninteresting specimens:

‘No. 4,086. — The third, fourth and fifth cervical vertebrae. A conoidal carbine [sic] ball entered the right side, comminuting the base of the right lamina of the fourth vertebrae, fracturing it longitudinally and separating it from the spinous process, at the same time fracturing the fifth through its pedicles, and involving that transverse process. The missile passed directly through the canal, with a slight inclination downward and to the rear, emerging through the left bases of the fourth and fifth laminse, which are comminuted, and from which fragments were embedded in the muscles of the neck. The bullet, in its course, avoided the large cervical vessels. From a case where death occurred in a few hours after injury, April 26, 1865.’

‘No. 4,087.— A portion of the spinal-cord from the cervical region, transversely perforated from right to left by a carbine [sic] bullet, which fractured the laminse of the fourth and fifth vertebrae. The cord is much torn and is discolored by blood. From a case where death occurred a few hours after injury, April 26, 1865.’

Such are the colorless scientific records of the death wounds of John Wilkes Booth. All that remains of him above the grave finds its perpetual place a few feet above the spot where he shot down his illustrious victim.”

After John Wilkes Booth was killed at the Garrett farm, his body was brought back to Washington and deposited aboard the ironclad ship, the U.S.S. Montauk. It was there that Booth’s autopsy was performed. The body was thoroughly identified and the section of Booth’s vertebrae, through which Boston Corbett’s pistol ball had passed, was removed. In addition, an inspection of Booth’s broken leg was made and, for some reason, his thoracic cavity was opened. Shortly after the autopsy was performed, Booth’s body was taken to the Arsenal Penitentiary and secretly buried. In 1869, Booth’s body and the bodies of the executed conspirators were released to their families.  Booth’s vertebrae along with a piece of his spinal cord, however, found their way into the collection of the Army Medical Museum and were in the collection by 1866 according to one of the museum’s collection catalogs. John Wilkes Booth’s vertebrae and spinal cord were publicly on display at Ford’s Theatre in 1873 when Ms. Ames visited. Here is an 1873 engraving of the bones that she included in her book:

Booth's Vertebrae drawing Ten Years in Washington

The vertebrae and spinal cord of John Wilkes Booth are still part of the collection of the National Museum of Health and Medicine though they are not currently on display at the Silver Spring facility.  Here is a picture of the specimens taken a few years ago by the AP:

Booth vertebrae spine AP

I am hoping to make an appointment to view the vertebrae and piece of spinal cord in person and to look through the NMHM’s records regarding this artifact.  Hopefully a follow up will be posted at a later date. UPDATE: Click here to read about my research visit with John Wilkes Booth’s vertebrae.

When Powell Lost his Head

At the same time that John Wilkes Booth was assassinating President Lincoln at Ford’s Theatre, conspirator Lewis Powell was attacking William Seward, the Secretary of State, in his home.  Powell stabbed and bludgeoned five people in the Secretary’s home, but, miraculously, they all survived their brushes with death.  Powell was tried with the other conspirators and executed on July 7, 1865.  His body was immediately buried next to the gallows on the Arsenal Penitentiary grounds.

9 The Pine Boxes

In 1867, Powell’s body was disinterred and reburied in a trench that was dug inside a warehouse on the Aresnal property.  There he was joined by the bodies of fellow conspirators John Wilkes Booth (minus his vertebrae), David Herold, George Atzerodt, and Mary Surratt.  The trench also contained the remains of Andersonville Prison commandant Henry Wirz who had been executed for his wartime crimes in November of 1865.  In the waning hours of Andrew Johnson’s presidency in February of 1869, Johnson finally consented to the release of the conspirators’ bodies to their respective families.  The bodies of Booth, Herold, Surratt, Atzerodt, and Wirz were all claimed and reburied by their families.  Powell’s family, who had previously tried to claim the remains and had been denied, were not made aware that they could now take possession of their kin.  For a year, Powell’s body remained the only one still buried on the Arsenal grounds.  Finally, in February of 1870, an undertaker named Joseph Gawler (who also handled the reburial of David Herold) took possession of Powell’s body and had it buried secretly in one of D.C.’s cemeteries.  1870 newspaper accounts stated that, “family and friends could find his grave by contacting him [Gawler] as he had a record of where he is buried.”  The Powell family, who had moved a few times in Florida since Lewis’ death, apparently never heard the news.

The location of Powell’s remains from 1870 onward is a little fuzzy, but an extremely probable series of events was determined by Lewis Powell’s biographer, Betty Ownsbey, in an article she wrote for the October 2012 edition of the Surratt Courier entitled, “And Now – The Rest of the Story: The Search for the Rest of the Remains of Lewis “Paine” Powell“.  Using newspaper sources and cemetery records, it appears that Powell was originally transported from the Arsenal and interred in Graceland Cemetery.  At some point between 1870 and 1884 Powell was removed from Graceland and placed in Holmead Cemetery.  Not long after he was placed there, Holmead Cemetery was discontinued as it was considered a public health hazard.  The land was slated to be sold and developed in January of 1885.  Families with means disinterred their loved ones from Holmead and reburied them elsewhere.  All the unclaimed bodies still left in Holmead were exhumed in December of  1884 and dumped into a mass grave at nearby Rock Creek Cemetery.  Joseph Gawler was one of the undertakers who assisted with this endeavor.  By 1884 it had been almost 20 years since Lewis Powell’s death and it must have been very clear to Gawler that no one was coming for the body and that he was not going to be paid for the work he had done keeping track of it over the years.  It is with a very high likelihood that Gawler added Lewis Powell’s remains to the mass grave at Rock Creek and his body is there today in Section K, Lot 23.

The assumed resting place of Lewis Powell's body, Section K, Lot 23 in D.C.'s Rock Creek Cemetery

The assumed resting place of Lewis Powell’s body, Section K, Lot 23 in D.C.’s Rock Creek Cemetery (approximate location)

While Lewis Powell’s body may be at Rock Creek Cemetery, his head definitely isn’t.  The conspirators were not embalmed upon their deaths and through their subsequently reburials, their bodies were consistently exposed to oxygen which accelerated their decay.  The connective tissues of Powell’s head and neck, likely damaged by his hanging in 1865, would have quickly decomposed away separating his head from the body.  According to newspaper accounts, a few of the conspirator’s heads were separated from their bodies when they were disinterred in 1869.  Almost 20 years of decomposition later would have essentially stripped the bone of all tissues.  Therefore, when Joseph Gawler or his associates opened Powell’s casket at Holmead in 1884, it would have been a very easy task for them to collect the skull and take it.  That is exactly what occurred for on January 13, 1885, the Army Medical Museum added a new artifact to their collection.  Numbered 2244, the anonymous donation was entered into their catalog as a, “Skull of a white male.” A short description followed:

“P. Hung at Washington, D.C., for the attempted assassination of Secretary of State, W. H. Seward, in April, 1865.”

Powell's skull entry Army Medical Museum catalog

The museum, still located inside of Ford’s Theatre in 1885, now held the remains of not only the assassin of President Lincoln, but the would be assassin of his Secretary of State.

Lewis Powell's Skull Ownsbey

Unlike John Wilkes Booth’s vertebrae and spinal cord, Lewis Powell’s skull is no longer in the collection of the National Museum of Health and Medicine.  In 1898, the skull was transferred, along with many Native American remains, to the Smithsonian Institution.  For about 94 years the skull sat in storage in the Smithsonian’s Anthropology department.  In 1990, the Native American Graves and Repatriation Act became law.  The act required any institutions that accepted federal funding to return Native American cultural items, including remains, to their appropriate tribes.  In adherence to this law, the Smithsonian began the process of going through their collections.  In 1993, a government anthropologist named Stuart Speaker, who had once worked at Ford’s Theatre, discovered Lewis Powell’s skull among a collection of Native American remains.  Assassination researchers Michael Kauffman, Betty Ownsbey, and James O. Hall were brought in to help identify the skull:

Authors Michael Kauffman and Betty Ownsbey with Lewis Powell's skull

Authors Michael Kauffman and Betty Ownsbey with Lewis Powell’s skull

On November 11, 1994, one hundred and twenty-nine years after his death, a part of Lewis Powell was finally buried by his living relatives.  His skull rests today at Geneva Cemetery in Geneva, FL, next to the grave of his mother.

Relics of a Martyr

If you were to take a  visit to the National Museum of Health and Medicine today, you would come across an exhibit case entitled, Lincoln’s Last Hours.

NMHM Lincoln's Last Hours exhibit

This exhibit contains several artifacts relating to the death and autopsy of President Lincoln.  The items on display include the Nélaton probe used on the dying president to trace the path and depth of his wound, a snippet of his hair taken at his deathbed, fragments of his skull taken at his autopsy, a shirt cuffed stained with Lincoln’s blood, and  the bullet that ended his life.  The exhibit case also contains a plate that was given to Surgeon General Barnes by William Seward as a thank you for tending to his wounds at the hands of Lewis Powell.  Here is a slideshow of the artifacts on display:

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Most of these Lincoln relics did not come into the collection of the medical museum until around WWII. Prior to that, the pieces were held by the War Department as the bullet which killed the president had actually been an exhibit at the trial of the conspirators in 1865. In 1940 the bullet, skull fragments, and probe were transferred from the Judge Advocate General’s office to the newly created “Lincoln Museum”. This museum was housed inside of Ford’s Theatre and contained Osborn Oldroyd’s collection of Lincolniana. While the Lincoln Museum kept most of the items given to them by the JAG office (including the murder weapon), they decided against retaining these, almost literal, blood relics of Abraham Lincoln. They were transferred from Ford’s to the Army Medical Museum. Further research is needed to determine exactly when they entered the collection but it is likely that, for the briefest of time, these pieces of Abraham Lincoln were housed at Ford’s Theatre.

Conclusion

The National Museum of Health and Medicine is a modern treasure that tells the story of America’s medical past, present, and future. If you get a chance, visit the NMHM.  They are a free museum open every single day (except Christmas) from 10:00 am to 5:30 pm. During its lifetime, the museum has crossed paths with the Lincoln assassination story several times.  It was the first museum to be housed inside of Ford’s Theatre, it reunited a piece of the assassin with one of his conspirators at the scene of the crime, and, today, it displays relics of our 16th President.

References:
National Museum of Health and Medicine History
A Repository for Bottled Monsters
NMHM’s Flicker page
Ten Years in Washington: Life and Scenes in the National Capital as a Woman Sees Them by Mary Clemmer Ames
Alias “Paine”: Lewis Thornton Powell, the Mystery Man of the Lincoln Conspiracy by Betty Ownsbey
And Now – The Rest of the Story: The Search for the Rest of the Remains of Lewis “Paine” Powell” by Betty Ownsbey, Surratt Courier, Oct. 2012
Army Medical Museum Collection, Anatomical Section IV Logbook (MM 8759-3)
The Lincoln Assassination: Where are They Now? A Guide to the Burial Places of Individuals Connected to the Lincoln Assassination in Washington, D.C. by Jim Garrett and Richard Smyth

A very special thanks to Betty Ownsbey for talking me through the saga of Lewis Powell’s burials and for providing the pictures of his skull.

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Reagan Library’s former Lincoln Exhibit

Reagan Library Lincoln Exhibit catalog

From June through September of 2013, the Ronald Reagan Presidential Library in Simi Valley, California hosted an exhibit entitled, “A. Lincoln: Railsplitter to Rushmore“. The exhibit showcased a multitude of objects borrowed from the collections of private individuals; institutions like the Abraham Lincoln Presidential Library and Museum, Library of Congress, Smithsonian, and Ford’s Theatre; and even the production designers of Dreamworks Pictures who produced Steven Spielberg’s Lincoln. Over 250 unique artifacts relating to Lincoln’s life and presidency were on display along with sets from the Lincoln movie like this one of Lincoln’s office:

Lincoln Office Set Regan Library 2013

Appropriately, one room of the exhibition was devoted to the assassination and death of Abraham Lincoln.  Here is a nice panorama of the exhibit room showing the recreated bedroom of the Petersen House, a mock up of the Ford’s Theatre box, and a replica of President Lincoln’s casket:

Click to enlarge

Click to enlarge

Here is a slideshow which further highlights the artifacts and displays from the assassination gallery:

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A few of the artifacts that were on display came from the Ford’s Theatre collection.  These included a Confederate cipher machine, a ticket to Ford’s Theatre, a key to a cell that imprisoned on of the Lincoln conspirators, and some funerary items.  One of Ford’s Theatre most iconic items was also loaned to the Reagan Library for the exhibit; a blood stained pillow from the death chamber of the President.

Petersen bedroom Assassination Exhibit Reagan Library

The Reagan Library’s recreation of the death chamber of Abraham Lincoln in the Petersen House. An authentic blood stained pillow from that night can be seen in a display to the left.

These images, sent to me by Carolyn Mitchell of the Spirits of Tudor Hall, show the blood stained pillow further:

Blood stained pillow Mitchell 1

Blood stained pillow Mitchell 2

Under this lighting, it’s hard to see the actual blood stains on the pillow.  The obvious dark splotches are not blood stains but ink stains that occurred long after Lincoln’s death and before modern artifact preservation techniques.  For many years, this pillow was on display at the Petersen House in Washington, D.C.  Today, however, the artifact is too fragile to be on display without a climate controlled display as seen here.  I’ve been told by a National Park Service employee that the pillow is so delicate that you could poke your finger straight through the pillow with ease.  Another, less fragile, pillow from Lincoln’s deathbed is on display in the basement museum of Ford’s Theatre.

References:
Ronald Reagan Presidential Foundation and Library
A. Lincoln: Railsplitter to Rushmore Exhibit Catalog
Ford’s Theatre NPS
A huge belated thank you to Carolyn Mitchell who visited the exhibit and sent me photographs and a copy of the exhibit catalog.  You’re the best, Carolyn!

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Update: JWB’s Note at the Archives

Yesterday, I found myself in Washington, D.C. for a time.  I braved the snow and waited, cold and wet, in line outside the National Archives for an hour.  When I finally got in, I made a beeline not for the Constitution or the Declaration of Independence, but rather for the special exhibit on signatures, “Making Their Mark”:

Making Their Mark exhibit card  My quest today was to see the note that John Wilkes Booth left for Vice President Andrew Johnson, hours before he assassinated President Lincoln.  In the online exhibit guide for “Making Their Mark” you can see a high resolution image of the front and back of the note:

Booth's note to Johnson

 

Back of Booth's note to Johnson

Fun fact: They do not allow you to take pictures inside of the National Archives.  This is particularly true in the rotunda where the lights are dimmed and there are many guards to protect our country’s charters of freedom from the damaging effects of flash photography.  The core documents to our freedom have faded so much over the years that this very much justified, despite the desire of many to take a selfie with the Bill of Rights.

Luckily, the “Making Their Mark” exhibit was not housed in the rotunda but, instead, in a special exhibit room with more lighting and only one patrolling guard.  While I take the rules of any museum very seriously (you should have seen the way I was giving the evil eye to some high school kids engaging in a snowball fight on the grounds of the Archives before I got in), I just couldn’t pass up the chance to snap a few photos of Booth’s note to share with you all.  If it helps, I did turn off the flash on my phone so that it would not harm the document in any way.  I hope the Archives will forgive me.

Booth's note display  I was both shocked with how small the actual note was.  It was smaller than my 2″ x 3 1/2″ business card that I carry around with me.  After I got back home, I decided that the note was a little bigger than 1 1/2 inches tall and almost 3 inches long.  Here’s a closer picture of the note with an approximate scale:

Booth's note with approximate scale

For some background, here is the conspiracy trial testimony of Col. William A. Browning, Andrew Johnson’s private secretary, in which he mentions the note:

“William A. Browning,
a witness called for the prosecution, being duly sworn, testified as follows:
By the Judge Advocate:
Q. Will you state if you are the private secretary of the President?
A. Yes, sir: I am.
Q. Were you with him on the 14th of April last?
A. I was.
Q. (Exhibiting a card to the witness.) What knowledge, if any, have you of that card having been sent to him by John Wilkes Booth?
A. Between the hours of four and five o’clock in the afternoon, I left Vice-President Johnson’s room in the Capitol, and went to the Kirkwood House, where I was boarding with him. Upon entering, I went up to the office, as was my custom; and I saw a card in my box. Vice-President Johnson’s box and mine were adjoining: mine was 67, his was 68. In 67 I noticed a card. The clerk of the hotel, Mr. Jones, handed it to me. This I recognize as the card.
Q. Will you read what is on it?
A. “Don’t wish to disturb you. Are you at home? J. Wilkes Booth.” It was in my box.
(The card was offered in evidence without objection and is marked exhibit no. 29.)
Q. You do not know anything about the handwriting of Booth?
A. No, sir.
Q. You had no acquaintance whatever with J. Wilkes Booth, had you?
A. Yes, sir: I had known him when he was playing in Nashville, Tenn. I met him there several times. That was the only acquaintance that I had with him.
Q. Did you understand the card as sent to the President, or to yourself?
A. At the time, I attached no importance to it. I had known him in Nashville; and, seeing the card, I made the remark, when it was handed to me by the clerk, “It is from Booth: is he playing here?” I had some idea of going to see him. I thought, perhaps, he might have called upon me, having known me; but, when his name was connected with this affair, I looked upon it differently. It was a very common mistake in the office to put the cards intended for me in the Vice-President’s box; and his would find their way into mine, they being together.”

Appropriately enough, even though I snapped a few more pictures of the note before we left, I was so nervous about being caught and possibly banned from the National Archives for life (a horrible punishment for a researcher) that all the rest of my pictures are blurry messes.  If you want nice pictures of the note, I refer back to the images of it from the “Making Their Mark” online exhibit guide.

References:
“Making Their Mark: Stories Through Signatures” at the National Archives, March 21, 2014 – January 5, 2015
“Making Their Mark” online exhibit guide
The Lincoln Assassination Trial – The Court Transcripts edited by William Edwards

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The Memorials on Tenth St.

Today, Ford’s Theatre and the Petersen House across the street constitute the “Ford’s Theatre National Historic Site”.  Operated by the National Park Service in partnership with the Ford’s Theatre Society, both buildings exist for the purpose of educating the public about Lincoln’s last hours.  Standing as they are today, it is sometimes difficult to imagine that, historically, they have not always been dedicated to serving Lincoln’s memory.  In fact, it was not until several years after Lincoln’s death that an effort was made to commemorate these buildings in anyway.  The modern museums of Ford’s Theatre and the Petersen House started off quite humbly as mere memorial plaques.

While the site of Lincoln’s assassination and the house in which he died were well known and hardly forgotten sites of Washington history, there was no move to commemorate either one of the buildings until nearly 14 years after the Great Emancipator’s death.  The first building to receive some sort of physical recognition was the Petersen House.  In 1879, it was the home of lawyer and newspaper publisher, Louis Schade.  You can read more about Mr. Schade and his connections to the assassination story HERE.  Schade had bought the Petersen House from the Petersen heirs in 1878.  In August of 1879, a couple of newspaper articles announced the installation of a marble tablet on the exterior wall of the Petersen House commemorating the historic nature of the house:

1879 marble tablet at Petersen House 2

1879 Marble tablet at Petersen House

As reported, the tablet was created and put up by a private citizen, Charles Rousseau.  Mr. Rousseau was a Belgian native who learned the art of sculpture at the Royal Academy of Fine Arts in Brussels.  He made his living carving tombstones and was quite talented at it.  One of Charles Rousseau’s creations is this tombstone for Benjamin Grenup, believed to be the first Washington, D.C. fireman to have been killed in the line of duty when he was run over by the fire wagon:

Charles Rousseau Benjamin Grenup

Whether Mr. Rousseau took it upon himself to make a tablet for the Petersen House, or whether Schade commissioned it, is not known.  Regardless, the tablet with its gold lettering was installed high on the exterior wall, far out of reach.  Here is a picture of the Petersen House as it appeared when Schade lived there as published in John E. Buckingham’s 1894 book, Reminiscences and Souvenirs of the Assassination of Abraham Lincoln:

Petersen House Buckingham 1894

In the image, Buckingham retouched the tablet to make lettering readable:

Buckingham Marble Petersen tablet 1894

This marble tablet remained the only marker on the site for many years.  After the house was sold by Schade to the federal government in 1896, Osborn Oldroyd became its curator and started displaying his Lincoln collection inside.

Petersen House w Oldroyd Marble Tablet

As time went by, the small marble tablet began competing with Oldroyd’s large signs hawking admission to the house to see his collection.

Petersen House Oldroyd Tablet

Almost 30 years passed and the small marble tablet remained fixed high on the exterior.

Petersen Original Marble Tablet Transcription

However, by 1909 the marble tablet was no longer on display.  Photographs during this time only show the three holes and the discoloration of the bricks from where the tablet had hung for so many years.

Petersen House No tablet

Whether Rousseau’s tablet fell or was purposefully removed is unknown. One text states that the tablet was removed because of complaints from visitors who stated it was placed too high up on the wall to read easily. If this is correct, perhaps Oldroyd felt his large museum signs provided the necessary information. Regardless, for a time in the early 1900’s, the only memorials on the Petersen House were the advertising for the Oldroyd collection of Lincolniana.

Meanwhile, across the street, the edifice that witnessed the horrible crime of April 14th, 1865, remained bare of any memorials. No private citizen had adorned the exterior wall of “Old Ford’s Theatre” like Charles Rousseau had done for the Petersen House. Instead, the building had been transformed into an office building, suffered a tragic collapse of the interior in 1893, and talks of demolishing it reappeared every few years or so in the press. Through it all, however, the scene of the crime remained.

It was not until 58 years after the death of Abraham Lincoln that a group of citizens decided it was time to commemorate the site of Lincoln’s assassination. The group, established by the Commissioners of the District of Columbia, was called the Citizens Committee of Historic Sites. With the help of the commissioners, the committee appealed for funds from Congress for the, “erection of suitable tablets to mark historical places in the District of Columbia”. For several years the committee was appropriated $500 and placed bronze plaques at various sites in D.C. On February 28, 1923, their appropriations were renewed and the committee started the design of two new plaques. One plaque was going to take the place of Rousseau’s marble tablet on the Petersen House while the other was to be placed on the long neglected Ford’s Theatre.

The formal unveiling of the new plaques occurred on April 29th, 1924.  I quote from the 1925 book, Abraham Lincoln in the National Capital by Allen C. Clark:

The exercises began at 3 o’clock in the afternoon. The invocation was by the Rt. Rev. Mongr. Cornelius F. Thomas. A History of the Ford Theatre Site was presented by Allen C. Clark. Eloquent addresses were made by the Hon. Henry R. Rathbone and by Frederick L. Fishback, Esq., of the Washington Bar. Mr. Rathbone vividly described and minutely, the scene of assassination. Mr. Fishback touchingly told of the last hours and of the funeral journey to Springfield. The tablet on the Ford Theatre site was revealed by Miss Maud Burr Morris; and Mrs. Osborne H. Oldroyd drew the cord which held the drapery to the tablet on the house where Lincoln died. It was the American flag which draped the tablets. The band from the Military School under the direction of Prof. W. J. Stannard interspersed selections. Frederick D. Owen was in charge of arrangements. Allen C. Clark presided.

As mentioned in the above quote, one of the speakers at the ceremony for the plaques was Representative Henry Riggs Rathbone.  Rep. Rathbone’s father was Henry Reed Rathbone, the army Major who was present in the box when Lincoln was assassinated.  Though the exact details of what he stated do not appear to have been recorded, the ceremony was attended by over 200 people.

Ford's and PetersenTablets - Washington Post 4-30-1924

In addition to this newspaper article from the Washington Post, there is also the following photograph of Rep. Rathbone speaking at the ceremony.  This fascinating photograph of a Rathbone speaking in front of Ford’s Theatre was the genesis for this post:

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Rep. Henry Riggs Rathbone speaking at the unveiling of the memorial plaques on Ford’s Theatre and the Petersen House on April 29, 1924. Click to greatly enlarge. LOC

The plaque that the Committee of Historic Sites placed on the Petersen House still stands on the house today.  It is located at a much more readable level than its predecessor, now hanging between the basement and first floor.

Petersen House with plaque

Petersen House Plaque

The plaque on Ford’s Theatre hung on the exterior of the building for many years, marking the location of the great crime of ’65.

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In the early 1960’s public support swelled to restore Ford’s Theatre to its former glory as a working theatre and a Lincoln museum.  During the periods of restoration and construction the plaque was taken down for obvious reasons.

Ford's during reconstruction no plaque NPS

When the newly restored Ford’s Theatre was unveiled in 1968, the plaque hung by the Committee of Historic Sites in 1924 was not restored to its place.  While the exact location of the Ford’s Theatre plaque is not known to this author at this time, it is likely that it entered the collection of the National Park Service and is being safely stored away.

The historic nature of a location is rarely appreciated in its time.  In most instances, plaques are markers to note where something historic once was but is no longer.  For many years it was a strong possibility that Ford’s Theatre or the Petersen House could be sold and torn down.  If events had played out differently, the magnificence that is Ford’s Theatre or the emotional impact that is the Petersen House would have been reduced to raised lettering on a piece of bronze.  We are fortunate that the generations that came before us had the forethought to preserve and protect these sites so that they may be enjoyed today.  Still, we also must remember that, like Rome, the structures we respect were not built in a day. The glorious museums on Tenth St. were founded on the actions of private citizens like ourselves and some memorial words on a tablet.

References:
Abraham Lincoln in the National Capital by Allen C. Clark
Restoration of Ford’s Theatre by George Olszewski
William A. Petersen House: House Where Lincoln Died – Historic Structure Report by the National Park Service
GenealogyBank.com
Washington Post
Library of Congress
Meserve Collection
Reminiscences and Souvenirs of the Assassination of Abraham Lincoln by J. E. Buckingham, Sr. (1894)
National Park Service

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JWB’s Note at the Archives

A new exhibition entitled, “Making Their Mark: Stories Through Signatures” is coming to the National Archives in Washington, D.C.  Here’s a blurb from the Archives describing the exhibit:

“Signatures are personal. The act of signing can be as simple as a routine mark on a form, or it can be a stroke that changes many lives. Signatures can be  an act of defiance, or a symbol of thanks and friendship. “Making Their Mark: Stories Through Signatures” will draw from the billions of government records at the National Archives to showcase a unique collection of signatures and tell the stories behind them.

illustrate the many ways people have placed their signature on history, from developing to signing Power The stories in these records, of famous and infamous, known and unknown individuals, are part of our s history, all having made their marks on the American narrative.”

The exhibit contains the signed documents of many notable (Thomas Jefferson, George Washington, Franklin Roosevelt, etc.) and famous (Jackie Robinson, Katharine Hepburn, Michael Jackson, etc.) individuals.  It also contains documents from unknown people who wrote of the world around them such as a Japanese American in an interment camp signing a loyalty oath during WWII.

The collection also contains the signatures of infamous individuals like Adolf Hitler, Saddam Hussein, and presidential assassin, John Wilkes Booth.

The National Archives houses the paper evidence collected by the government during the investigation into Lincoln’s assassination.  Therefore, they have a multitude of documents written by or owned by Booth to display.  For this exhibit, the Archives is displaying one of the most intriguing notes that John Wilkes Booth ever signed: his note to Vice President Andrew Johnson.

Booth's note to Johnson

John Wilkes Booth left this note for the Vice President in the hours leading up to the assassination.  His short message, “Don’t wish to disturb you Are you at home? J Wilkes Booth” has been the subject of inquiry ever since.  Conspiracy theorists attempt to use this note as evidence of the Vice President’s complicity in Lincoln’s murder, but most historians seem to believe that, in the moments leading up the tragic events, Booth was making sure all his targets were accounted for in order to topple the entire head of the government: Lincoln, Johnson, and Secretary of State William Seward.

I am not personally aware if this note has ever been on public display before this exhibit.  The “Making Their Mark: Stories Through Signatures” exhibit runs from March 21st, 2014 until January 5th, 2015.  After that, it is likely this fascinating artifact, and all the others, will be returned to the vaults of the National Archives.  Don’t miss the opportunity to see John Wilkes Booth’s note to Vice President Johnson on display at the National Archives.

References:

Making Their Mark: Stories Through Signatures” Exhibit eGuide.  Download the guide HERE and turn to page 22 for a back view of Booth’s note. I’ve also tweeted the page on Booth so check out my Twitter account @BoothieBarn.

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The Rear Wall and Doors of Ford’s Theatre

A visitor of this blog named Justin posed the following question on the “Reconstructing Ford’s Theatre” post:

“Random question – but the rear doors of the theater, are those period to the assassination? Not the actual doors themselves but is Booth’s escape door in the same place as they were the night of the assassination or has the façade been redone?”

Excellent question, Justin.  With regard to the location of the doors, the short answer is yes.  The large, rolling, scenery door and normal stage door you see on the back of Ford’s Theatre today are both in the same locations as their 1865 counterparts.  When Ford’s Theatre was restored in the 1960’s the architectural branch of the National Park Service was able to “definitely reestablish” the locations of the doors.

Baptist Alley - Detective McDevitt 3

The answer to the second part of your question, whether or not the rear façade of Ford’s Theatre has changed, is also yes, but this answer will take longer to explain.

In the aftermath of Lincoln’s assassination, the government shut Ford’s Theatre down.  While it looked as though John T. Ford would regain his theater and even reopen it after the execution of the conspirators, a large public outcry prevented this.  The government started renting the Ford’s Theatre building from John Ford before purchasing the structure outright in July of 1866.  Even before purchasing the building, however, the government began renovating the theatre.  They transformed the interior into a three story office building.  The top floor housed the Army Medical Museum.   The other two floors of Ford’s housed the Office of Records and Pensions run by the War Department.  When the medical museum moved out in 1887, they took over the entire building.

During this time the rear wall of Ford’s was altered to facilitate its new use as an office building.  The large, and now pointless, scenery door was bricked up and transformed into a regular sized door.  The former stage door, through which Booth escape was bricked up and transformed into a window.  If you look closely at the picture below, you can still see the outline of where the scenery door and its rollers once were, having been bricked up into a normal sized door:

Back Wall of Ford's

On June 9th, 1893, while construction and excavation was being done in the basement of the building, a stone pier near the west (front) end of the building collapsed.  It brought down a forty foot section from all three floors above it.  It was a tragic accident, crushing and killing 21 War Department clerks instantly.  You can read more about the aftermath of that accident here.

While the majority of the damage occurred at the front of the building, it was decided to take down the rear wall to complete the clean up.  In this way, the front “face” of Ford’s Theatre, with its decorative and elaborate architectural components, was spared from having a gaping hole put into it.  When the interior was rebuilt (again as an office building) the rear wall was also rebuilt, but now it no longer resembled the same wall Booth escaped out of.   The new rear wall was made with many windows on all three floors.  The new rear door was placed in the approximate area as the old scenery door (centered on the wall).  Though a few post-1893 newspaper engravings identify this new door as the one Booth escaped out of, the true location of the former stage door was farther north on the rear wall and was now a window:

Not the door Booth escaped out of.  The rear wall of Ford's was taken down and rebuilt after the 1893 collapse.  This door was placed in the approximate location of where the large scenery door had been.

Not the door Booth escaped out of. The rear wall of Ford’s was taken down and rebuilt after the 1893 collapse. This door was placed in the approximate location of where the large scenery door had been.

Here’s another picture showing the “new” rear wall and door built after the 1893 collapse:

Baptist Alley Later

Though the building of Ford’s Theatre underwent additional interior changes from 1893 until it was restored by the National Park Service in the 1960’s, the rear wall remained relatively unchanged during this time period.  When the NPS was looking to restore Ford’s they consulted sketches from Harper’s Weekly and Frank Leslie’s Illustrated Newspaper, along with depositions from Ford’s Theatre employees, to determine the original appearance of Ford’s Theatre.  Using these materials, they determined the original locations for the scenery door and the original stage door and had them placed back into the walls.  They also bricked up the windows that had been added post-1893.

20130825-194712.jpg

Photograph showing the rear wall of Ford’s Theatre taken during its reconstruction and restoration in the 1960’s. From this view you can see the scenery door that was put back in and the post-1893 windows that have been bricked up.

To sum up, the scenery and stage doors on the back of Ford’s Theatre today are in the same locations as their 1865 counterparts.  They are not, however, on the original doorways that Booth would have used. The originally scenery door was bricked up into a normal sized door and the original stage door, through which Booth escaped, was bricked up into a window.  Following the collapse in 1893, the whole wall was torn down and then completely rebuilt, removing even the outlines of the original doors.  In the 1960’s, the NPS, using sketches and accounts, put the scenery and stage doors back into their proper place while restoring the building.

Thanks for the great question, Justin!

References:
Historic Structures Report – Restoration of Ford’s Theatre by George Olszewski

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